A cast metal plaque depicting four male figures. The figures stand shoulder to shoulder, each with a helmet-shaped headdress and ringed neck decoration extending down to cross the chest over the ribs. Each figure has a uniquely patterned skirt decorated with, from left to right, dots, dots and zigzags, horizontal bands with dots, and a leaf pattern. The faces of the figures have prominent eyes and mouths, and wide noses. Shoulders are prominent and rounded, arms slightly bent and hanging down at sides, with hands flat on thighs. Shins and ankles extend from the bottom of the skirts and end in flat, forward-protruding feet. The rear of the plaque is concave behind each figure, and a metal ring for hanging is attached at top centre.

Kneeling figure. The head is pointed at top, with protruding ears, prominently carved eyes and eye sockets, a large nose that widens at bottom, and a protruding pointed chin. The back of the neck is carved with four vertical bulges, underneath which are very large, prominent shoulders. The arms are bent and hands touch the face at either side of the mouth, the right hand having three fingers and the left hand having four fingers. A rounded stomach leads down to legs bent into a kneeling position, with feet crossed at ankles in back. The stone of the figure is filled with sparkly inclusions.

Mask with red felt and a metal strip around the eye holes. This carved wooden mask has a wide forehead and pointed chin, and it is topped by two curved hornlike protrusions. The eye area is covered by a rectangle of red felt, surrounded by a silver-coloured metal border held in place with nails. The eye holes are also outlined with the silver metal. The protruding lips are covered with the same red felt, with a piece of plant fibre nailed to the top. Four teeth of an unknown material can be seen in the mouth. Long straight hair attached to hide surrounds the lower portion of the mask. Small holes have been bored regularly around the edge of the mask. A paper postage stamp is taped to the back inside of the mask, picturing a figure with the same red decoration at eyes and mouth, and inscribed with "040" at top, and “Republique De Guinee” at bottom.

Long thin piece of twisted iron known as a kissi penny. A twisted shaft separates a roughly shaped rounded flat end, and a short dual-pointed end, running perpendicular to the shaft. Part of the flattened end is bent at a 90 degree angle.

Long thin piece of twisted iron known as a kissi penny. A twisted shaft separates a roughly shaped rounded flat end, and a short dual-pointed end, running perpendicular to the shaft. Part of the flattened end has been removed.

Standing female ancestor figure, carved out of wood, red in colour. The face has large eyes, a narrow nose, and a small mouth. On top of the head is a pointed projection. The figure’s neck is very long and thick and is carved with a semi-regular pattern of rectangles. The arms are topped with pointed shoulders, and hands are attached to the hips. The figure is pregnant, shown by a sharp protrusion of the belly. Legs are short and stocky, ending in large blocky feet. A thick milky coating has been applied to the lower outside portion of the feet.

Fertility figure (akuaba) with a flat, disc-shaped head. High oval forehead, curved upraised brows, horizontal semi-oval eyes, a long vertical nose, and a small mouth at the bottom of the face. Rings are carved around the neck. The horizontal rectangular arms are outstretched to the sides with small pointed breasts below. The lower half of the body is cylindrical. Beaded strings adorn the figure at the neck and the bottom.

Poro society face mask, unpainted. The carved wooden mask has a prominent forehead, with three small bent metal pieces inserted into the centre. Holes have been carved through the wood to make eyes and a mouth, with lips and eye areas protruding. The nose also protrudes. Many small rectangular holes have been carved around the outside edge of the mask. The back of the mask is concave.

A tall, thin wooden figure with its head composed of two long faces on either side, with a long protruding nose, slits carved for the eyes, a rounded protruding chin, and a very slight protrusion at mouth area, but no mouth carved. Long hair or a headdress surrounds the faces. Evidence of decoration in the form of angled lines can be seen on a small portion of the hair to one side. The neck is long and thin, leading down to a large, pronounced, rounded shoulder area. The torso is long and thin, ending at a wider base, with two vertical side supports carved into the wood. The figure is two-toned in colour, with a dark brown wood cortex, and a light yellow-brown interior that is shown more prominently. Figure is screwed onto a thin wooden stand.

Cast bronze figure of the deity Hor-Sma-Tawy or Horus-Uniter-of-the-Two-Lands. The figure is wearing a tall, flat, three-pronged headdress. The bottom portion of the headdress includes a striped head cap with a gold-coloured head band, a thick side braid, a braid down the figure's back, and a side panel that extends down over the left shoulder. The figure is standing with its left foot forward. Its left arm is hanging straight while its right arm is bent at the elbow with its index finger touching the mouth indicating it is the child Horus.