An undyed, coarsely woven cotton blouse with embroidered shoulders, chest panel, back panel, long sleeves, and cuffs. The embroidered designs consist of leaves, flowers, lines, and criss-cross designs. The design on the shoulders consists of multi-coloured leaves, and flowers created with blue lines and light purple hatching. The embroidery on the chest consists of one blue and one multi-coloured flower with multi-coloured leaves that have been bordered with red hatching (outside) and blue hatching (inside). The embroidery on the back consists of two blue flowers with multi-coloured leaves that have been bordered with red hatching (outside) and blue hatching (inside). The back also contains a sewn blue line that runs from the back embroidery to the neck opening above. The sleeves display a multi-coloured leaf and flower motif that is bordered with green hatching. The cuffs of the blouse are closed with black buttons and braided blue yarn fasteners. The embroidered design on the cuffs depict multi-coloured leaves and dark blue flowers edged with dark pink ribbon, light pink hatching, and an orange-red line. The separate strap (b) consists of purple-pink acrylic ribbon, and the ends have been sewn together with green thread that forms a loop. Looped into this green strap is a smaller braid of green and pink-purple that has been tied to form a second loop.

A fragment of a fresco painting, mounted in a clear plastic frame. The composition consists of a man and a woman seated beside one another. The female figure is holding the right arm of the male figure. The right side of the composition contains a small table, which is supporting a yellow and red vessel, as well as a lotus flower in a small vase. The male figure is holding the blue stem of the flower. The colours were derived from natural pigment, and the fresco is in stable condition.

Small faience amulet of a draped male figure. The figure is a greenish buff colour and the details within the piece are well preserved. The hair has been incised for texture, and strands of the hair fall in front of the shoulders. A belt has been included below the figure's navel, and the figure is wearing a skirt. The legs of the figure are connected to the drapery in back, yet are identifiable. The figure's hands are closed.

Small marble fragment of a sculpture, depicting a hand holding a discus or patera. The line of the original break can be seen along the bottom of the wrist. One side of the discus or patera is supported by four fingers and the reverse side is supported by the thumb.

Children's drawing on legal size off-white paper. The top left of the page contains an inscription that reads "¿como era la vida en el salvador". A pink, orange, and brown building has been drawn below this inscription, and the building contains a large human figure flanked on either side by a purple rectangle. Each purple rectangle contains a small orange human figure. This scene inside of the building may represent a parent with their two children in their beds. A large, multicoloured, oblong object has been drawn to the right of the building, and this likely represents a body of water. There are two figures in the object itself, and four figures standing along the edge of the object. The orange figure is holding an object that appears to be a gun. A large green flower has been drawn in the right corner of the page.

Standing, carved wood ancestor figure. Figure wears a close fitting cap, with hair carved in a cross hatched pattern beneath. The face is narrow at the forehead and widens at the cheeks, with a small chin, large carved eyes, and protruding nose and ears with bored nostril and ear holes. Three vertical lines are carved into the cheeks below the eyes. The torso is long with a stomach that protrudes in the front. Arms are bent and hands are attached to the body above the waist. The left hand is carved with five fingers and the right with six. The buttocks are pronounced, legs are bent in a crouching position, and feet are large with five carved toes each. Two holes are bored into the groin area. A round headed nail is embedded in the bottom of the right foot.

A single square of mosaic glass made from red, grey, black, and white glass canes that have been arranged to create a diamond shape.

Open and shallow bronze vessel. The bowl of the vessel contains three raised concentric circles. The lip of the vessel is folded with a subtle carination. The bottom of the vessel has a short ring foot with five raised concentric circles. It appears as though the bronze was hammered.

Small cast bronze horse with a thick, long tail and hollow body. The object has a circular opening in the centre of its back. Each pair of legs are joined at the ankles. It is difficult to distinguish the individual legs, and the object contains few details in general.

A black sculptural fragment of a female torso. The torso is intact but the head, lower portion of the legs, forearms, and hands have broken off. It is evident that something was also attached to the top of the figure, suggesting that this object may have been a cosmetic spoon, or the handle of a vessel of some sort. Both sides of the figure have been carved, and incised lines have been used to delineate legs and various body parts.