Vase base (a) and lid (b), both with a dragon-like motif as well as floral motifs on the sides. Glazed with mottled turquoise, brown and green. On one side are holes for affixing a panel for an inscription.

Blue glazed ceramic lid in shape of a temple roof. The upper ridge has a large fish protruding from each end. Inscription on bottom of lid.

Recangular ceramic lid in the shape of a temple roof. At the end of the ridge of the roof are large fish. On both sides are animal-like heads protruding outward. Colours are predominantly turquoise and brown. Bottom has inscription reading that it was used as a container for human bones, and bears the dates Kuang Hsi Period (1875-1908 C.E.).

Urn (a) in shape of a temple with Buddhist figures in center of lotus, all in relief; tturquoise on dark brown ground. The lid (b) ridge has a grotesque fish at each end. On one panel is a written date in Japanese. Under the lid is an inscription dating the urn as Tao Kuang Period (1821-1850).

Top portion of hood is batik dyed creating a floral design in light blue on black ground. Lower portion is woven design, white on navy ground. Reverse side is light blue flecks on navy background. Black tie at back of hood.

Part a: Folded shin guard that tapers slightly at one side, is rounded at the top, and five brass fasteners on each side. Part b: Shin guard that has been folded out. Has scalloped edge at the bottom and a rounded edge at the top. Has five brass fasteners on each side. Both are plain black with ties.

Checkered design in turquoise, black and maroon. Ties are maroon. Two short splits at front.

Dark blue kimono with tapered sleeves and a white pattern. The pattern is a diamond design with white dots on a dark blue ground. The pattern is hand stitched. Around the neck and part way down centre opening is a wide dark blue band. There are short ties on the band. The inside is unlined.

E-sugoroku game. Rectangular sheet of paper covered with a woodblock printed scene that shows firemen, known as hikeshi (火消し), on ladders in acrobatic positions on the upper portion, with a crowd of men gathered together observing them in the lower portion. Predominant colours are blue, green, black and brown on an off-white background.

Rectangular painting of a red camellia in full bloom and with a small flower in bud. All are on a gold painted background. Gold speckles on reverse. Japanese characters down the right side of the painting along with a red square stamp impression.