Beaded panel bag. Bag is rectangular in shape, rounded on top corners, with a braided green and blue wool handle attached to the interior edge. The top half, front and back, has a black stroud background covered in beading in a large floral pattern in pink, blue, red and tan glass beads. A dark orange silk-like fabric lines the edges, along with rows of white beads. The interior is lined with black fabric at top, and a light floral pattern deeper in the bag. The lower exterior is a panel made entirely of beads (woven on a loom), in a floral design on white, with a green border. Wool tassels hang from bottom and sides of the panel, attached to blue and white beads.

Mirror bag. Small rectangular bag is made from pliable light grey suede on the front, with beaded decoration showing birds, flowers and foliage, a short fringe attached along the sides. The back is made from parfleche, painted in lines of blue, red, yellow and green. The bag narrows slightly toward the bottom, where a fringe wrapped in pink and light tan plastic hangs, finished with small cone shaped pieces of metal wrapped around tufts of red feathers. A handle is short sewn to top corners of bag by suede thongs, and edged in green beading. Long strands of beading are attached to the bottom corners, upper sides, and along the bag handle, also finished with metal wrapped feather tufts. The interior of the bag is lined in unbleached cotton.

Octopus type bag. Small bag is rectangular in shape, with four 'tentacle' extensions at the bottom that are split in two and lined with blue and cream plaid fabric. Bag and extensions are densely covered in glass beading in flower and foliage patterns on both sides; some of the beads are one-cut beads, and there is a small floral area on one side done in metal beads. The extensions have multicoloured fabric pom poms hanging from their scalloped tips. Translucent beads line the outer edges. The bag is lined in plaid fabric, and a red braided string with decorative pom pom is threaded through the velvet panels at the top opening.

Chilkat style robe with woven designs and fringe. The design is in three panels, with an ancestor face in the middle and animal motifs above, below and to the sides. The design is yellow, light blue and dark brown on natural ground. A long twisted fringe of mixed wool and cedar bark hangs from the bottom. Two cotton ties are sewn to the top, along with eight (non-original) cotton twill hanging loops.

Carved wooden club. Blade is a long leaf shape, increasingly thick toward the centre on both sides where a line runs down the spine from tip to hilt. Swirling foliage is carved into the surface, a natural light brown colour in crevices, with the surface painted a dark brown or black. The grip on the hilt is undecorated, smooth and rounded, Pommel is in the shape of a bird's head with patterning carved along back and top, under which is a large eye and curved, blunt beak.

Yam basket mask. Mask is constructed of basketry in thin strips of rattan wrapped around a frame of thicker rattan pieces. Headdress is spade-shaped, with alternating areas of open and closed basketry in black, dark yellow, rust red and white paint applied heavily onto the surface. Under a densely painted and coloured forehead are two round eyes covered in white. Open spaces fall away below, with a long slightly raised nose between, two nostrils at bottom, and to the sides an outline of a face with chin. This is covered in a rust coloured paint. The back of the piece is undecorated.

Carved wooden club. Weapon is thin with tapering edges and a smooth finish. Head is kidney shaped, with a wide top and a sharply indented curve above a protruding carved figure of a human/bird amalgamation in a sitting position. Figure’s head is large and round, with deeply inset eyes, and a large sharp beak from which emerges a tongue that curves down to make contact with the figure's chest. Arms are bent, hands resting on stomach. Legs are bent at the knees and feet dangle. The handle of the club is short and narrow, culminating in a pommel carved into two circles, one with inset beads of abalone shell on each side at centre, the other with a hole through which is tied a small thong of leather.

Bronze earring or small bracelet. Object is a thin hoop made of three strands of metal twisted tightly together, one copper, one bronze, and the third a dark grey iron. They are curled up at the ends to hold the twist in place. Ends are unjoined.

Bronze earring or small bracelet. Object is a thin hoop made of strands of metal twisted tightly together, one copper, one bronze, and the third a dark grey iron. They are curled up at the ends to hold the twist in place. Ends are unjoined.

Puppet of a standing man (Minister character or wun) wearing robes. The figure is made of wood overlaid with an elaborate suit of clothing that includes a light green silk under-tunic and dark green velvet coat edged in a panel of silk heavily embroidered with metallic thread. A canvas sash falls across his torso, embellished with metal sequins and a large jewel at centre. On his head is a rounded hat decorated in velvet, canvas and sequins. Purple pants clothe his legs. The puppet's feet are bare and painted dark brown, as are his hands and head. His face contains inset plastic eyes, a plastic gem earring hanging from the left ear, a moustache of hair, and a moveable chin. Thick string is attached to the hands, elbows, feet, knees and head, leading back to a wooden controller. Part b is a wooden stand with a thick base and decorative post.