Skirt or piupiu composed of strands of alternating scraped and not scraped flax leaves forming a horizontal striped pattern where the not scraped leaves are a light yellow colour, and the scraped segments are a dark brown colour. Spelled out using dark sections is "AOTEAROA". The leaves hang from a woven waistband made of grey-blue and orange braided fibre with long ties on each end, also braided. The initials B.T. are stitched onto the waistband in white. The piupiu storage bag (part b) is tube shaped with both ends open and able to be cinched. The top has lining tape creating a pocket, through which a grey and red-brown plaited fibre cord is drawn through. The other end has an elastic strap threaded through and tied off.

Woven lacebark(?) bag. The bag is rectangular in shape, with the top slightly flaring out to the opening. Overall the bag is a light orange colour with diagonal bands of grey-green throughout creating a loosely plaid pattern. There are two thin straps attached at the top with tassels at each end.

Rectangular woven flax bag with geometric designs in brown and natural colour. Weaving has alternating vertical bands of colour, and double twisted sections with an X-like appearance. Around the sides and bottom edge are thick layers of fringe, alternating between sections of brown or natural. The top has two thin twisted handles with tassels.

Artwork representing a carver’s adze (part a) and two glass mauls (parts b-c). The adze blade is made of glass, the handle is maple, painted black. Handle is mostly cylindrical, but narrows towards the top, coming to a point. The blade is oblong, flaring out near the bottom edge, attached to hafting platform with thin, clear plastic twine. More plastic twine wrapped around the handle, near the bottom, to form a handgrip. Artist signature and year engraved into blade, directly below the twine. The larger maul (part b) has a small circular top, tapering handle, and a flared circular bottom. Both ends are flat. The other maul (part c) has a small circular top, tapering handle, and a flared circular bottom. Top has tall, rounded point in centre. Bottom end is flat. Artist signature and year engraved along the bottom edge of both mauls, on the centre back.

Large indigo dyed, rectangular, warp ikat, made of factory spun yarn. One panel down the length with beige designs on a dark blue background. On either side, also down the length, are alternating bands of solid dark black-blue with beige and black designs outlined in orange. Both ends have dark black-blue fringe with white tips.

Wood pendant (hei tiki) of a stylized human figure. The figure's head is tilting to its right. The large circular eyes have shell inlay. Both hands are on its thighs. A braided cord is tied through a hole at the middle of the forehead.

Small rectangular tapa cloth. Completely covered in geometrical and linear patterns on one side. The repeated designs in black and off-white form concentric rectangles to the central red-brown solid rectangle which contains two star or flower designs.

Amber-coloured heart-shaped ornament made of kauri gum. Carved into one face is the outline of another heart, about 0.5 cm in from the edge. The ornament is polished, but worn.

Tall six-sided bottle, with lid (part b). Each side has a panel with three images - the top and bottom generally feature a building, sometimes with a large bird. The centre image is a framed machine. The edges and top of the bottom are decorated in blue - repeating V's creating a vine, and small repeating arches around the mouth. The lid has a ceramic handle painted to appear metallic. Around the handle reads, '1906-1990 IVAR KAROLUS LUNDGREN'. The artist's signature is on the base.

Dog whip made of sea mammal hide, with a wooden handle. The handle has a notch around the bottom with a strip of skin threaded through, and secured at the other end through a hole. The top of the handle is a combination of skin tied together, and being wrapped. On one side, there is a large rounded notch. From the handle, the whip is composed of many layers of skin that are stitched together, with the whip becoming increasingly thinner as it progresses towards the tip. The skin is knotted close to the tip.