Stirrup vertical-conical spout effigy bottle. Sculptural design of a sleeping man with prominent nose and crossed hands on chest. Applied monkey at base of spout. Polished surface; molded manufacture. Chipped spout.

Stirrup pot with vertical-tubular spout and flat base. Sculptural design of six sweet pepino forms on circumference of vessel, monkey at base of spout, holding it. Molded and modeled manufacture; polished surface. Unbroken.

Stirrup spout black polished effigy bottle with flat base. Molded design of a hawk demon with strombus conch trumpet on back. Moche Phase III spout style. Breakage repaired.

Double spout bottle with flat base and bridge handle. Design of two bird warriors in high relief with a headdress with an arrow motif on top and both bird warriors holding a rope with their beaks. Molded technique; polished surface. Unbroken.

Double conical spout bottle with bridge handle and convex base. Painted designs of two complex proliferous deities and two warrior figures holding trophy heads. Band of frontal female heads below in black on cream. Red-brown, orange-red, yellow-cream, gray and black. Molded manufacture; polished surface. Restored.

Double spout bottle with bridge handle and flat base. Stylized beans painted on handle and body. Geometrical polychrome designs on cream, gray, black and red-brown paint. Molded manufacture; polished surface. Breakage repaired.

Double spout, compressed ovoid, bottle with flat base. Terracotta with polychrome slips: orange-brown, red, red-brown, cream, gray and black. Moche iconography: one side shows a deity flying over stepped pyramid; other has a deity sitting atop similar pyramid. Both hold divining sticks and background is filled with beans. Moche divination rite in polychrome on typical Wari bottle form. Frogs on bridge handle. Polished surface. Molded and modeled manufacture. Restored.

Portrait head jar with flat base and large vertical tubular spout. Terracotta with cream and brown-red slip, traces of fugitive black spiral markings below eyes. Molded manufacture; burnished surface. Complete ceramic.

Tall, double-sided, three-dimensionally carved vertical panel on stand. Killer whale and crocodile themes; one side is inspired by coastal Salish themes/imagery, the other side is inspired by Sepik River (Papua New Guinea) themes and imagery. Made of yellow cedar, walnut and rosewood, with ebony inlay.

Gift of Kay Hodnett Nunez