Ceramic vessel with a dark red surface that is heavily decorated with incised designs. The body is spherical, with three small circular openings or spouts evenly spaced around the shoulder. The incised designs repeat within horizontal bands around the vessel. There is one raised band at the shoulder, and another at the lip. The neck is long and straight, with a raised lip for a circular mouth. Within the neck, the surface is burnished. The base rounded with a raised foot.

Wooden, oval-shaped plaque-like mask. Square hole carved at the bottom and wing-like attachments are on either side, tied to the main body with roots(?). Attachments painted black, on both sides, with crosshatching designs overtop. Primarily done in white with red strokes throughout. Main body painted red-orange, on both sides, with rows of design overtop. Rows have large white “X”’s with thin black ovals in between. Centres of X’s are painted red-orange. Plain black bands between rows, trimmed in white. On the front, the centre oval in the top row has a white chevron border. Above the oval is a sculpted head. Cheeks of face are unpainted, the nose is red, and there is a large black beard covering the bottom portion of the face. It has one thick black eyebrow with two small white eyes underneath. Figure is wearing a headdress(?). Headdress has a red cap with an upside down white triangle in its centre. Headdress extends into a large black circle with white stripes. Area around square hole, on both sides, is unpainted.

Large “V”-shaped halibut hook made of two pieces of wood. Arms are tied together with fibre cording at the angled end. Longer piece is thin and straight, thicker piece has a triangular head and an iron barb tied to its other end. Barb faces inwards and is at an acute angle. Wooden wedge tied to thicker arm with fishing twine. Twine is long, fraying and white-grey. The thin arm of the hook is carved into an otter-like figure, with a hole through its middle. A thick and braided piece of fibre cording, with a knotted loop end, is strung through the hole.

Hunter's tunic (part a) with matching hat (part b). Tunic made of bright blue cloth. Rectangular black leather patches are attached all over, with long, thin strips of brown leather knotted to both sides, creating fringes. A few pieces are dyed red or green. White cowrie shells outline the neck, and are sewn in lines on the tunic. There is a five-sided pocket on the front, centre - with the three stitched edges lined in cowrie shells. The bottom edge is unfinished, and somewhat fringed from unravelling fabric. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has a circular mirror inset in leather between two curved horns at front, centre. A single row of cowrie shells lines the bottom edge.

Hunter's tunic (part a) with matching hat (part b). Tunic made of brown cloth. Rectangular black leather patches are attached all over, with long, thin strips of leather knotted to both sides, creating fringes. White cowrie shells outline the neck, and are sewn in lines on the tunic. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has three black leather patches with long, thin leather strips knotted on either side, evenly spaced on sides and back. At front, centre - there is a circular mirror inset in leather between two small horns. A single row of cowrie shells lines the bottom edge.

Hunter's tunic. Tunic made of dark brown cloth. Rectangular leather patches are attached all over, with long, thin strips of leather knotted to both sides, creating fringes. White cowrie shells outline the neck, and are sewn in lines on the tunic. Small horns, tufts of hair, and small mirrors inset in leather are attached all over the tunic.

Disassembled halibut hook made of wood. Thin arm of hook (part a) is carved into a bird figure at its top, has a rectangular shaft and conical bottom. Cone is carved in high relief. Entire arm has a flat back. The bird figure has large circular eyes, a long beak pointing down the body, wide legs and feather designs incised on its wings. There is a hole through the middle of the bird, just above the fork of its legs. A thick and braided piece of fibre cording, with a knotted loop end, is strung through the hole. Wood is brown-yellow, cord is beige. Thick arm of hook (part b) has a triangular head with a wide, rectangular groove in its centre. Groove was likely where the arms would have been tied together. Bottom of arm is slightly angled. Wood is brown-red. Iron barb is missing.

Loom with a partially completed weaving tied to four bars (part a). Weaving attached to bars at the top and bottom with one bar, intertwined in the weaving, towards the bottom, and another attached to the back, towards the bottom. There are three removable swords (parts b-d) and one removable shuttle (part e) stored in the weaving, at the bottom. The attached bars are all made of bamboo. The shuttle (part e) and one of the swords (part c) are made of light yellow-brown wood, the other two swords (parts b and d) are dark brown. The shuttle has notched ends and is wrapped entirely in orange thread. The weaving on part a is orange and has rows of repeated designs across the entire surface. Row designs include: loose chevron pattern, tight chevron pattern, dotted squares, dotted lines, "X" design across length with squares in the negative space, and abstract "V" design across length with squares in the negative space. Designs done in indigo, red, yellow, black, green, dark blue, white and electric blue. Rest of weaving is incomplete and orange in colour, with loose strands of black and yellow throughout. Three metal rings attached to the top and bottom loom bars- one on the top, to the right of the weaving, and two on the bottom, on either side of the weaving.

White jug with flat, slightly flared base, flared rim, ridged lip, and loop handle. Central horizontal panel has blue, yellow, and taupe flowers, and green leaves, bordered by horizontal double blue lines. Above and below the central panel are lace designs. The handle is decorated with repeating thick, horizontal bands of blue. There is an oval impression in the base, and the maker's mark (WE).

Sterling silver container (part a) with lid (part b). The container has an oblong body with decorations of a tree with blossoms on one side, and a branch with blossoms on the other. The lid fits over the shoulder, and tapers in to a top that rotates, which opens and closes the holes on top. Mark on base: ARTHUR & BOND. YOKOHAMA. STERLING.