Human face mask with bright pink skin, and headdress with long ends that flips out to the sides. Mask has slit eye holes cutout with black marks underneath. They have thin rounded black eyebrows, black lips, and there are four vertical black lines on the forehead and three dots on each cheek. The black lips extend into a line down the chin.

Animal (primate) mask, carved and painted black. Animal with a long snout, flat nose, large mouth baring teeth, yellow eyes, raised eyebrows, deep eye sockets, and large rounded ears on the side of the head.

Long, thin tunic heavily embroidered with four sections of repeating geometric designs that are bilaterally symmetrical. A thick band of red with smaller bands of white and black divides the tunic vertically. V-neck, and open on sides. Bottom edged with white fabric.

Human face mask with bright pink skin, and headdress with long ends that flips out to the sides. Mask has large white oval eyes, looking downward with eye holes cutout underneath. They have thin rounded black eyebrows, black lower lip, and there are three vertical blue lines on the forehead and on each cheek. Red fabric attached to back.

Set of four light green stoneware stacking dishes (parts a-d). Set consists of three plates with slightly angled walls, and one bowl with more angled walls. Dishes increase in size from the bowl on top to the widest plate on the bottom. Maker's mark stamped on base of all four plates.

Doll (a) representing a male figure carved out of wood with articulated shoulders and ankles. His face and hands are painted white with painted black hair, eyebrows, eyes, a drooping moustache and a chin beard. He wears a separate black paper hat (b) with a narrow brim and black silk ribbons that tie in a bow under his chin. A nail at the top of his head helps keep the hat in place. He wears a long sleeveless blue silk vest, gored and pleated under the arms, and fastened with a dingle button over a gored long-sleeved white silk coat fastening with ribbons tied in a single loop. Beneath this are an under-jacket with blue ribbons tied in a single-loop bow and under-trousers. His ankles are wrapped in white material, and he wears pointed shoes made of paper (?) covered with white cloth and painted with black linear and looped designs at the front and back.

Oil bottle (yu-byeong; 유병; 油甁). Celadon pot with vertical bands of circles separated by vertical lines. Squat, compressed spherical shape with raised neck and flared rim. Unmarked. Round wooden stand (part b) with three legs.

Orange-reddish lidded pot (parts a-b) with two chambers inside and a handle at either top side. Designs are in relief and impressed. Upper portion has a horizontal band of traingles that have lines within. Lower chamber exterior has seven loops all around decorated with chevrons. Just above these loops, there is a horizontal band of alternating triangles or chevrons and geometric bands. Lid (part b) is of a different colour, semi-round and hollow.

Exhibited on female mannequin at Chicago World's Fair of 1893. See National Anthropological Archives Manuscript # 7217, entry on Figure No. 8, where it is listed (and exhibited) as same number/forming a set with # E1701 parka.From card for ET1611 (written before it was known that this was part of catalog number E1701): "Brown deerskin pants, low-slung, with wide cuffs of white caribou fur. Bottom of leg edged with narrow brown and white strips, and fur fringe. Tassels of fur running lengthwise down front of each leg. Tag reading "Chicago #8, 1701-2967". Writing on inside, partially worn off, indicating this is part of MacFarlane collection. Loan [with temporary catalog number ET1611]: Crossroads Sep 22 1988 - returned from loan 6-25-91. Illus.: Crossroads of Continents catalogue; Fig. 41, p. 42."Formerly tracked with temporary number ET1611, because the correct catalog number was unknown at the time. A tag in the trousers says "Chicago #8, 1701-2967", which seems correct. Museum catalog number 1701 (or E1701) was field number 2967 (the ledger book confirms this) which was a woman's parka and pants exhibited together as a set at the Chicago World's Fair (according to National Anthropological Archives Manuscript # 7217, entry on Figure No. 8). Catalog number 1701 has long been missing the pants -- possibly since the ledger entry was written, since it makes no mention of them and has a count of 1 (in other words, the pants were missing or overlooked during cataloging). The existence of pants is mentioned in the notes on the catalog card, but only the parka was found during the 1975 inventory and 1980s move to MSC. Meanwhile, this pair of pants was found, but there was confusion about which number it belonged to (1701 already being accounted for with the parka) and so it was temporarily tracked as ET1611. As of now, it seems pretty certain that this is part of catalog number 1701, and so it is being tracked as # E1701-1.

Identified as a graver based on resemblance to other gravers in the MacFarlane collection. See Inuvialuit Pitqusiit Inuuniarutait: Inuvialuit Living History, The MacFarlane Collection website, by the Inuvialuit Cultural Resource Centre (ICRC), Inuvik, N.W.T., Canada (website credits here http://www.inuvialuitlivinghistory.ca/posts/12 ), which has general information on gravers here: http://www.inuvialuitlivinghistory.ca/item_types/27: Gravers with iron tips held in bone and antler shafts were used for engraving designs on ivory, bone antler and wood.