Pearly queen costume cravat. Four wide layers of overlapping cream coloured lace with a teardrop motif and scalloped edge are attached to an oblong piece of white fabric backing. The cravat is attached around the wearer’s neck by a plain white fabric collar with a velcro closure at back.

Pearly queen costume cravat. Three wide layers of overlapping white, flowery lace are attached to a circular piece of white fabric backing. The cravat is attached around the wearer’s neck by a plain white fabric collar with a velcro closure at back.

Pearly queen costume hat. Black wool hat with a wide brim, edged top and bottom with white plastic buttons sewn on with black thread. An upright triangular panel at front holds different sized white buttons, surrounding one of gold and pink-grey abalone. The crown of the hat is covered with a mass of long white and black ostrich(?) feathers that trail slightly down the back. The interior of the hat is dark burgundy wool, undecorated.

Pearly queen costume skirt. Skirt is knee length, black, with side button closure at waist and kick pleating at hem. Skirt is heavily decorated with white plastic buttons, sewn on with black thread. The buttons are similar in size and patterned in horizontal lines of three rows interspersed with connected diamond shapes. The interior of the skirt has a black polyester lining.

Pearly queen costume skirt. Skirt is knee length, black, with rear waist zipper closure and single kick pleat at back. Skirt is heavily decorated with white buttons made primarily of plastic, sewn on with black thread. The buttons are similar in size and patterned in horizontal lines of three rows interspersed with connected diamond shapes. Inside the diamonds of every other row are large round abalone buttons. The waist band is decorated with interspersed abalone buttons and smaller round or square plastic buttons. The top back of the skirt is undecorated. The kick pleat is also patterned with buttons, and a single heart at bottom centre. The interior of the skirt has a black polyester lining.

Pearly queen costume jacket. Jacket is long sleeved, black, with a two button closure, wide collar and lapels and two waste pockets. Jacket is heavily decorated with white buttons made primarily of plastic, sewn on with black thread. The buttons on the front and arms of the garment are similar in size and patterned in horizontal lines of three rows interspersed with connected diamond shapes. The hem and pockets are covered in slightly larger buttons. A variety of six plastic pins are attached to the jacket front. The collar and lapel are densely covered in buttons of various sizes, some made of abalone shell. A silver medal hangs from the right lapel, stating “Member of Pearly Kings and Queens Assoc.”. On the shoulders are two small “s” shapes in brown and grey abalone buttons. The back of the jacket is less densely covered and states, in buttons, “Pearly Queen of Dulwich” between three crowns. The interior of the jacket is lined in black polyester.

Polychrome jar with moth designs. Rachel is the daughter of Priscillia Namingha Nampeyo and Great Grandaughter of the Nampeyo of Hano-Where our curator Stewart Culin lived when in Hopi.See works by her., 51.243.3.

Polychrome pottery canteen with quail and plant design on the flat side centered inside a large flower. Hilda is the sister of Robert Tenorio, the noted potter from Santa Domingo) and she learned pottery from him. Initially Hilda and Arthur made the pots and Robert deocrated however within two years Arthur was doing all of the painting. They used natural clays, and the Rocky Mountain bee plant (wild sopinach) and honey to make their black color and thus achieve the soft glowing tones.

Water jar with all over painted white and black half snowflake forms in fine geometric designs.Victorina is related to Dorothy Torivo, (her Aunt) the most well-known potter in Acoma. Sandra specializes in designs with step like designs, checkerboards, snowflake or half snowflake and other very fine lines as seen in this example. She has won numerous awards: Santa Fe Indian Market 1st place, 1996; second place 1991; NM State fair 1994 first place, Eight Northern Pueblo Fair 1st place, 1996. Her pots are made in the customary manner, gathering her own clay, local plants, crushed rock and water for paints, stone polishing, and open pit firing. She does not totally mark her designs prior to painting but sometimes blocks out squares of design elements. Her use of only black and white indicates this pot is one possibly in the earlier part of her artistry. Today she often adds a russet color within her designs.

Bowl with Mimbres Motif and triangular human forms. Marie works within the Acoma tradition when making older styles of pottery. But when the form is contemporary, as seen here with its rippled edge and open bowl form, she creates innovative designs that are still rooted in Acoma such as the Mimbres stule figures. Marie S. Juanico is from the Acoma Yellow Corn Clan and has been an active potter since 1963. She was taught by her mother, Delores Aragon, and in turn, Marie taught the art of traditional pottery to her daughter, Delores Aragon.Marie has won many awards at the Santa Fe Indian Market, the New Mexico state Fair and the Inter-tribal Indian Ceremonial which is held in Gallup, New Mexico. Her favorite designs are Mimbres animals, parrots, rainbows and snowflakes.