Round, handmade, brown clay pot with one flat, curved handle at shoulder. Entire body of jug (except the rim) is covered in small holes, including the base. Thin, long cracks run over the body surface; repairs to previous breaks at rim with one chip missing.

Round, handmade, unpainted, orange-brown clay pot. Two flat, curved handles sit at shoulder, below the rim. Subtle pattern around edge of rim. Large dark mark all along one side and handle. Large chip missing from rim.

Large handmade, unpainted, orange-brown clay bowl. Two small handles at the rim. Dark marks all around sides (inside and out) and at base area. Round base.

White dress shirt. The shirt is part of a costume that also includes a red skirt (2956/200 c), a white apron (2956/200 d), a red sash (2956/200 e), a mask (2956/200 a), and two bells (2956/200 f-g).

White shirt. The shirt is part of a costume that also includes a red skirt (2956/199 c), a white apron (2956/199 d), a long red sash (2956/199 e), a mask (2956/199 a), and two bells (2956/199 f-g).

Woolen knit sash with a pouch at the end. Long, thin, knit band in alternating colour blocks of grey, red and black. An open topped pouch is attached to one end at its mouth, with a zigzag pattern knit into one side, and lines into the other of the same alternating colours. The opposite end of the band is attached to the pouch’s side with a thick woolen tie. Inside the pouch is a packet (part b) of 11 coins, all Canadian quarters.

Almost square tapa cloth with geometric patterns in dark and light brown on a medium brown base. Designs are organized into two repeating, vertical halves, each with 5 repeating horizontal rectangular patterns. Each of the ten rectangles are similar, with a thin strip with two horizontal bars at the left side, then 2 squares with cross designs inside, one with a black circle at the centre, followed by two thin rows of diagonal lines in light brown. There are also several thin strips of zigzag lines in light brown running through the other designs. Half of the squares with crosses have a light brown lined background, the other half have a light brown diamond pattern. A dark brown ,heavy cotton border is attached to both side edges; a wooden bar is attached across the back upper edge. Heavy black paper is attached to (but breaking off of) the lower back edge.

Rectangular tapa cloth with geometric patterns in dark and light brown on a medium brown base. Designs are organized into an 8 x 6 grid of squares, outlined in dark brown. Each of the squares contains a diagonal cross piece design, some as filled in lines and some as thin, stretched ovals (propellor-shaped). Two rows have black cross-hatching covering half of the background of every other square. Three sides have a zigzag patterned border. A wooden bar is attached across the back upper edge.

Ceremonial bark cloth costume. The garment is a vest, slightly longer in front, completely open along the sides, with narrow shoulders and a deep v-neck at front. On the front a large toucan bird is attached at centre, wings spread to the sides, beak pointing downward. Linear designs have been lightly carved into the beak. To the bird’s sides two smaller beaks are sewn to the cloth, as are groupings of feathers dyed red, yellow and brown, several with seeds at their centre. Yellow and red feathers surround the v-neck. On the back of the garments is a smaller bird, black, with a serrated yellow and black beak and a strip of red and white feathers on the tail. Large, dyed feathers splay outward from the top of the body. Portions of bird beaks surround the creature. On front and back of vest, the bark cloth is heavily painted with zigzag, ‘x’ and other motifs in brown, yellow and red. Small, oval, black and red seeds line the edges and neck of the vest, as well as a decorative strip of feathers near the bottom where additional bark cloth has been sewn to the garment, front and back. Small dyed feathers hang from quills below this strip, while long feathers dangle from the bottom of the vest. These are dyed blue yellow and orange.

Bark cloth and feather headband made of a wide strip of undecorated bark cloth, folded over. Short feathers on hide are sewn to and covering the exterior. Some areas of feather are dyed in green or red, alongside natural black and white feathers. Long feathers are sewn to the bark cloth, rising high above the headband, taller at centre, declining in height toward the sides. All are dyed blue on their fronts, with the backs of the tallest coloured gold, and shorter coloured red.