Bentwood grease bowl, with curved sides and carved ends. On the front of the bowl a human figure appears from behind a bear’s head: head and arms above the bear’s eyebrows, feet emerging from under the bear’s mouth. The claws are represented on the opposite end of the bowl alongside another human figure with its face turned upward. Operculum shells are inlaid in the bear’s mouth as teeth. The surface has been coated in grease.

Bentwood box with painted black and red designs. Box is almost square with three steamed corners. The fourth corner and the bottom panel are nailed. All four sides are painted. The designs cover the upper 3/4 of each side, with a thick red line painted all around the box, below the designs. The lid is made of two pieces of planked wood.

Red cedar bentwood box (part a) with lid (part b). The box has three bentwood corners, curved and rounded, with pegs at the fourth corner. The lid has rounded edges, and is slightly thicker than the base. The front and back have circular paintings, with a different design inside each. Both have a red scalloped (U-forms) design around the entire outer edge of the circle. The ends of the box have simpler ovoid style designs. Designs are painted using mineral-based pigments.

Portrait mask with short white feathers along the top edge, along with four longer dark feathers. The face has large black eyebrows, black eye outlines, carved out eyeholes, and red nostrils. The mouth is slightly open, with red lips and carved teeth. There are four holes on each side on the back for hanging, with a hide thong. Artist inscription on back.

Walking stick (or cane) carved, with abalone inlay. The handle has been shaped in the form of an animal’s head with a small, crouching human emerging from its jaws. Inset abalone eyes. Wrapped around the shaft are low relief carvings of bird and sea-creature imagery on the upper section; the lower section is plain.

Long wooden spoon carved from a single piece of wood. Cylindrical handle and a flat, paddle-like blade. Design carved on the handle and blade.

Pair of silver, lozenge shaped earrings that come to a sharp point at one of the bottom corners. Abstract design elements with a face at the bottom of each earring. Metal ear loop clasp at top. Artist initials and date on back of each.

Carved argillite female figure with a child in front, with inlaid carved bone faces. Woman wears a long dress with capped sleeves, pleats, and lace edging, with narrow waist and wide shoulder cape, her hair braided so that the two braids hang together in the front. Her left hand forward, resting on the child’s shoulder. The child holds a bag with her left hand.

Carved argillite panel pipe with squares of abalone inlay. The pipe bowl is designed in the shape of a human head, facing straight forward. The figure's hands reaching back to the muzzle of a dog, standing inside the main part of the pipe. A duck-like bird is carved standing on the stem, facing the opposite direction, with its beak down. Tobacco leaves are carved along the stem sides; a patch-like pattern of squares cover the dog. The top and lower back edge of the upright section have had their drill holes closed off with small wooden plugs.

Long, carved argillite panel pipe with a trading ship's "block-and-tackle" motif. At the front, a dog has a rope around its neck and is straining forward. Near the centre, facing the opposite direction, a man with a stylized Haida face is shown with his back arched, also straining or caught in the running gear. Flower designs on each side. (There is a white sticker inside the top hole.)