Round drum with cream coloured hide stretched over a wooden frame and secured with thick hide ties at the back which are looped through a hide circle. The front of the drum is decorated with black ink around the edges with four roughly ovular black ink shapes at the centre. At the centre of the back, in the circle, the hide ties are braided into a cross shape and a black string is attached for hanging.

Octagonal drum with hide stretched over a wooden frame and secured with sinew. The sinew is threaded through the edges of the hide at the back and pulled to the centre. There is an abstract, black, paint splash pattern at the centre of the drum surrounded by many small spots of black. A black elastic string is tied to two of the sinew lines at the back.

A pair of moccasins, heavily beaded on top and sides in a simple geometric pattern cast in pink and blue on white. Lines of pink, dark blue and white encircle the shoe’s lower portion. The back is decorated with a hide fringe from the sole to the top. A long tongue, split at the end, extends out of the shoe body, which is tied closed with a short hide thong.

Rectangular tapa cloth with decorative geometric patterns in dark and light brown against a medium-brown base. The cloth is divided by dark brown lines into three distinct rows. Each row contains a series of eight pairs of triangles in which each pair contains one regular and one inverted triangle. Pairs face each other across a medium-brown line. Each triangle has smaller dark-brown or black triangle inside it, outlined in light brown. The entire cloth has a light-brown border decorated with a black swag pattern.

Very small round bead, flat on top and bottom, with a hole bored through the centre. The bead is of uneven construction with one side taller than the other and one end of the bored hole wider than the other. The colour is a light mottled green, and the outer surface is shiny and smooth.

Round leather mat with a beaded, frontal image of a fox’s face. The animal has black and white eyes, a black blaze on the forehead narrowing toward snout, and black and yellow ears. Around the perimeter of the leather are alternating sets of orange and black beads. Part of the edge of the leather has been cut into short thick fringe, while the rest is untouched. Visible on the back of the piece are the threads used to attach the beads to the front.

Round leather mat with a beaded image of a bird’s head in profile. The head is black with a black beak, white eye, and white cheek. Groups of green beads encircle the bird at the perimeter of the leather. The edge of the mat is cut into short, wide, irregular fringes. Visible on the back of the piece are knotted threads used to attach the beads to the front.

Painted hide wall hanging. Scene shows several people in traditional dress engaged in a variety of activities. Two are walking with a foal, one person is sitting astride a horse that is on a yellow and red blanket held by two other people. Others hold small leafy branches. Trees and hills can be seen in the background. The scene is surrounded by a blue perimeter line. The edges of the hanging are cut with uneven fringes. The signature is painted on the bottom as “Johnnie Stelkia THITH-HAK-KEY”.

Clay ocharina in a donut shape, thick and round with a central hole. The inside is hollow with two small holes bored on each side at top. At the front is an animal head(?) with two protruding circular eyes, an ear to one side (the other has been lost) and a large square nose. A windway is bored through the head from top to bottom rear, with a windcutter below. On the opposite side is a forked tail with a thick base, each fork curving and narrowing to where is connects again to the body.

"Live from the 'Latch" archival pigment print. The print is in the form of a poster advertising a musical performance. On a yellow background with monochromatic formline images is the shape of a red copper, containing red formline on top and bottom. In the centre is text printed in red and green referring to a concert by "Billy and the Chiefs." Image deliberately appears to be old (wrinkled and discoloured), with ragged edges. The poster is surrounded by a black background. Edition 3 of 67.