Feather headdress ornament (tua or kihi) of long narrow white feathers. At the core, feathers are tightly bound by plaited coconut fibre. Many more feathers are layered over top, held in place by tightly wrapped plant fibre, which is again bound by plaited coconut fibre, creating a handle. A small red thread is wrapped around the base of the handle.

Five figures: a missionary (part a), wooden cross (part b) and base (part c). The missionary and base are both dark brown-black woods. He wears a long dark brown robe, more loosely knit in the upper body, cinched at the waist by a thick twisted white tie. In his right hand he holds a small crucifix. The base is a small rectangle of wood with two leather straps attached. Part d is a standing male figure in grass skirt, with a wooden staff (part e) and base (part f). His right hand is clenched to hold the wooden staff; both arms move from shoulders, and legs at hips. The base is a small rectangle of wood with two leather straps attached. Part g is a standing male figure in grass skirt, with a wooden spear (part h), wooden stake (part i), and base (part j). Both hands are clenched to hold the wooden staff and stake. Both arms move from shoulders, and legs at hips. The base is a small octagonal of wood with two leather straps attached. Part k is a kneeling male figure in grass skirt (part k), holding a ritual object with feathers (part l) in his right hand, and a staff (part m) in his left hand. Arms move at shoulders, and legs at hips. Part n is a crouching woman. Figure wears a red and brown tunic, cinched by a woven belt. Arms move at shoulders, and legs at hips.

Dress composed of a long rectangular piece of pounded mulberry bark with a long, rectangular fringe and a diamond-shaped neck hole at centre. Each side is divided into by bold red lines, and has various geometric designs in black, red, white and yellow. (Small piece of tape with collector number adhered to shoulder.)

Pounded bark cloth tunic with hand-painted geometric designs in strips, which run vertical. The end of one side has a serrated fringe. Tunic is open on the sides, and has a hole at the centre for the head.

Length of plaited grass-like material with a short fringe. The fringe is created from thin strips of grass woven into a waistband. On each end, the plaited cord thins out once the fringe stops. A small piece of paper with "Complete dress (Tana) Old Woman" and the collector number written on it, is attached to the tie.

Length of plaited grass-like material with a short fringe. The fringe is created from thin strips of grass woven into a waistband. On each end, the plaited cord thins out once the fringe stops. A small piece of paper with "Complete dress (Tana) Old Woman" and the collector number written on it, is attached to the tie.

V-shaped fish hook carved from wood. Wooden spike set at an acute angle to arm, possibly a separate piece that has been attached, with section of woven fibre wrapped around arm and bound by loosely plaited coconut husk fibre. A long plaited coconut husk cord (110cm) is bound to the end of the other arm. A small section of blue and grey striped fabric is wrapped around the arm under the binding. (Both arms have labels adhered to them, one with the collector's initials.)

Horn (putona) made from a triton shell. There is a large circular blowhole near the apex. The shell is cradled in a woven carrying strap, which loops around the spire, and then is tied through a cut hole in the outer lip. The strap is comprised of eight finely plaited cords of coconut husk fibre, woven across with more coconut husk fibre. Three small cylindrical carved pieces of bone(?) are attached. The most intricately carved toggle (ivi po'o) is carved with tiki figures. Several bunches of hair are bound by twisted fibres to the tiki.

A small rectangle of woven grass-like strips with unfinished edges, which create a bit of a fringe. The sash has been folded in fifths, and then in half. (Small piece of tape with collector number adhered to piece.)

Tattooing tools. Part a is a long, tapering piece of wood adorned with a human figure (tiki) at one end. Part b is a short reed with a notch cut out near each end.