Miniature totem pole brooch. A bear sits at bottom in an upright pose with knees bent, front legs raised so paws come together in front of chin. Body is red-brown. Face shows large green and black eyes, and a heavy brow, with an open mouth in red. On the bear’s head perches a large bird with wings fully spread, feathers painted in formline style on the front. Wedge shaped head has a large curved beak, and a ridge sits on top of head. Eyes are also green and black. Back of pole is undecorated but for a black line along top of wings. A metal stick pin is glued to back.

Carved wood frontlet with three dimensional raven. Backing board is rounded, rectangular in shape and pointed at top. Raven emerges from centre, with carved black and red wings at its sides, knees bent up, face to front with curved beak and abalone eyes under squared ears. Raven figure is surrounded by two rows of abalone inlay. Back is concave, with a forehead piece. Signed on back: "Raven Henry V Robertson Kemano, B.C."

Under dress. Garment made of purple fabric, ankle length, with long wide sleeves, tight 4-button cuffs, and a button closure neck with a high scalloped collar. Pleated seams chest and knee level; sleeves are pleated at shoulder and wrist. Dress flares widely out from chest. White cotton lines the bodice, but the rest is unlined.

Pipe bowl in the shape of a baby bird with its mouth open wide. The mouth is rimmed with copper. The stem hole is in the bird's breast. Pipe stem is missing.

Fish club carved in the form of a sea lion. Its head has prominent eyes, open mouth with teeth, and small ears. Its side has defined tail flippers, ribs and spine. The handle is shaped with finger grooves for a strong grip, and a small handle drilled through.

Square, kerfed, steamed bentwood bowl: hardwood sides, red-cedar base, sinew stitching. Rim inset with operculum shells, originally four to each side (one missing). Outer surface carved with animal imagery.

Woolen costume. One-piece suit is woven of thick wool, dyed in horizontal stripes of varying width in shades of grey, tan, and dark brown. Stepped line patterns are incorporated into the weave in some areas, and a large concentric diamond pattern sits at hips on back. Short twisted tassels in light tan are attached at both the ankles and top edge of the garment. From two wide legs, the piece extends up over the hips, with a split up the centre to the top edge.

Wooden child's toy. Consists of a wood handle with a point at top, attached by a string to a wooden piece shaped like a small barrel with a hole at bottom. The handle is made of unfinished wood, with a thick white cotton string passing between handle and barrel. Barrel is painted with encircling stripes of blue, yellow, green, grey and red, and heavily lacquered to a high shine.

Basket sampler showing four sections of different types of basket weaving. Openwork basket is tall and rectangular, with a rounded base and walls that flare slightly toward rim. Large loops are attached at the upper layer, through which are passed two tumpline ropes that serve as a handle. A skinned ermine is sewn to the handle (with its nose and whiskers still present). Cedar oil was applied to the basketry after completion.

Woman’s full-length, A-line, colourful robe or coat (chapan), with long tapered sleeves; open from neck to hem at centre front, no fasteners; made of red, yellow, green-blue, purple and white warp-ikat textile (silk warp, cotton weft), with glazed surface. Lightly quilted with a light layer of cotton batting. Gathering at the sides just under the sleeves. 12 cm slits at each side at the hem. All edges trimmed with narrow black, blue and white braid made with loop manipulation technique. Lined with red and off-white machine printed cotton textile, representing bunches of flowers; sleeve fronts lined with green, red and off-white machine printed cotton textile, representing leaves and paisleys; all edges are faced on the inside with bias strips of multi-coloured woven striped cotton textile.