Serigraph print with Maori and Musqueam design elements. The circular abstract pattern of a Salish spindle whorl is presented in black, red, white and light brown. Written in pencil outside the lower edge of the design are the print number (96/99), title and signature of all three artists.

Black and white photograph taken during the Haida House construction project, 1961. View of one end of the Haida House frame with interior house post (A50031) installed. Signed on reverse.

Black and white photograph taken at the UBC carving shed during the Haida House Project, 1961. Taken from the base of the log, image is a side view of carver Bill Reid chiseling out the head end of a partially carved totem pole (A50034). Signed on reverse.

Black and white photograph taken at the UBC carving shed during the Haida House Project, 1961. The image shows Bill Reid sitting on a bench beside a log onto which has been drawn the design (A50034). He is carving with a hatchet and chips are flying in the air. Signed on reverse.

Black and white photograph taken near the UBC carving shed during the Haida House Project, 1961. Frontal view of a carved interior house post (A50031) standing amongst the trees. Signed on reverse. (Pole shown is inside the Haida House.)

Black and white photograph taken inside the UBC carving shed during the Haida House Project, 1961. Closeup 3/4 view of a carved pole (A50030), taken from below, shows face pierced by a killer whale dorsal fin. Signed on reverse.

Black and white photograph taken during the Haida House Project, 1961. Close up frontal view of the central part of the mortuary house frontal pole (A50033), showing a frog inside another figure's mouth. Signed on reverse.

Black and white photograph taken during the Haida House Project, 1961. Frontal view of the top of a carved house pole (A50031), taken close, from below. Signed on reverse.

Black and white photograph of the base of a totem pole taken during the Haida House Project, 1961. Close up side right view of carved house pole (A50031), showing an eye of a bird holding a human in its beak. Signed on reverse.

Black and white photograph taken at the UBC carving shed during the Haida House Project, 1961. Side right view of carver Bill Reid crouched on top of the partially carved Wasgo sculpture (A50029), chiseling near the head area. Signed on reverse.