Grey clay figure with a red slip. Depicted is a head with an incised eye and other detailing. The face is circular in shape with an incised line dividing it from the cylindrical neck and fragmented chest. The nose and mouth are protruding; mouth appears open. The figure is worn and oddly shaped making it difficult to distinguish. Back is flat. Fragment of a larger object.

Blue silk cape with embroidery. The cape has yellow edging and blue ties around the neck. Around the centre opening and bottom hem is a goldfish motif in gold, yellow, orange and white on blue ground. The inner lining is white cotton.

Grey clay figure, rectangular in shape with traces of an orange, slip. Depicted is a head with incised eyes and eyebrows wearing the remnants of a tall headdress. The top part of the figure is flat while the bottom nose, mouth and chin are protruding. The headdress is rounded in two parts with a line down the middle. The detailing of the mouth and nose are worn. Back is flat. Fragment of a larger object.

Carved, wooden, raven-kolus transformation mask. The exterior raven consists of a long black beak, red mouth and cutout nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The mask opens in four directions – to the sides, up and down – exposing kolus with a short white beak, red mouth and nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The side boards depict its wings; top its tail feathers while the bottom open board is detailed with ovoids, U’s and split U’s. Twine cord attaches to all four sides to assist the mask in opening and shutting. The opened boards are hinged with leather and attached by nails. The mask is painted white, black, green and red with Northwest Coast stylized designs. Long strips of cedar hang down the back covering the head of the wearer.

Wooden, carved, oval shaped, human transformation mask with a small bear mounted on the head like a headdress. The front of the mask is a large human face with red mouth and nose, black moustache and black outlined eyes on a white circular background surrounded by a green ovoid. The face is outlined in white. The bear has a long snout painted black with white edging. The nose and mouth are red. The mask splits down the centre and opens to expose another human/whale face. The inner face is detailed exactly like the outer face with the exception of killer whale motifs painted on the cheeks and forehead. The eyes have drilled holes. The opened boards are hinged with leather and nails; they are painted white with human hands and arms. The back of the bear has many twisted cedar strips that hang. The outer face is lined with small bundles of cedar. The mask is painted dark green, black, white and red with Northwest Coast stylized designs.

Wooden, carved, dear-human transformation mask with a long snout painted red with circular cutout nostrils. The jaw is hinged with a piece of leather nailed to the lower mouth; the sides have metal hinges. The face is dark red/brown with white edging and detailing; black outlined eyes on a green, ovoid-like shaped background; brow is black. There are two large, orange ears nailed to the top that appear to be added later. The mask opens in three directions – to the sides and down – exposing a painted human face with cutout nostrils. The three open boards are detailed with the figures hands, along with ovoids, U’s and split U’s. Twine cord that attaches to all three sides and run through the human’s nose to assist the mask in opening and shutting. The back has numerous cedar strips that would fall behind the head of the wearer. The mask is painted red, dark red/brown black, green, white and black with Northwest Coast stylized designs.

Carved, wooden, raven and human transformation mask. The exterior consists of a long black beak, red mouth and stylized nose. The beak and sides are hinged with pieces of fibre and leather, nailed to all sides. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. Nailed to the top of the head are numerous broken raven feathers. Another figure is painted underneath the mouth. The mask opens in three directions to expose a painted human face with cutout nostrils and mouth. The three open boards are detailed with ovoids, s-shapes, U’s and split U’s. The back is partially hollowed. There is an attached twine cord that assisted the beak in opening and shutting. The mask is painted black, red, white and green with Northwest Coast stylized designs. There is a large metal ring nailed into the top of the head, probably for display purposes.

Coiled basket (with bifurcated stitches) with imbrication in diagonal rows of triangles in red and dark cherry bark. Pedastal on base of basket with imbrication in red cherry bark of upside down triangles. A loop worked, coiled and interlaced border sits atop rim.

Yellow damask silk skirt fragment (part b). The skirt has no waistband. The pleats have black edging and embroidery. On each pleat are butterfly and prunus motifs in blue on black ground. Between the pleats are peony, chrysanthemum and lotus motifs in blue on yellow ground. Along the bottom hem is a black border with peony and prunus motifs. The back is unlined.

Yellow damask silk skirt fragment (part a). The skirt has no waistband. The pleats have black edging and embroidery. On each pleat are butterfly and prunus motifs in blue on black ground. Between the pleats are peony, chrysanthemum and lotus motifs in blue on yellow ground. Along the bottom hem is a black border with peony and prunus motifs. The back is unlined.