A watercolour painting which depicts two spiritual beings facing away from each other. The beings both have yellow skin and are wearing wide pants that end just above the knee. The pants are decorated with multicoloured stripes, and curl outward at the hip. An inverted triangular piece hangs down from each of their waists. A blue sash is draped diagonally across each of their chests, in opposite directions. The beings both have dark blue hair that curls upwards from their shoulders. Their earlobes are stretched, and extend almost to their chins. Two of the beings' arms are interlocked at the elbow. The other is raised up by their head. Two of the beings' legs are lifted up and forward so that only the toe touches the ground. Their knees cross in the middle of the page. The background of the painting is red, and a rectangular, dark blue border surrounds the image. There is a rounded, unpainted section behind each of the beings' head and shoulders.

Large red blanket with black tassels extending from each corner; geometric and cross-like designs woven across surface. Main design consists of two columns of connected, irregularly-shaped diamonds. Diamonds made up of of stripes done in black, cream, dark purple, and red; columns bordered on either side with lines of connected squares, done in dark purple. Negative space between designs creates columns of red diamonds; black cross-like designs in their centres. Corners of each bar are tipped with squares. Top and bottom edge of blanket are bordered with dark purple bands.

A watercolour painting which depicts a spiritual being with an animal head seated on a horse-like animal. The being's head is black, and its body is blue. It is wearing a brown skirt that ends below the knee and curls outward at the hip. The bottom of the skirt has a border made up of brown, blue, white, and black horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waistband, which is decorated with a row of rectangular shapes and row or circular shapes. Adornments wrap around the being's chest, and decorative bands encircle its biceps, wrists, and ankles. The being's head is cow-like, with long ears and long, slightly curved horns. There is a darker stripe running down the centre of its face. The being's headpiece is made up of several black and white striped decorations which extend upwards. Similar decorations are draped across its shoulders, wrap around its arms, and protrude upwards from the centre of the skirt's waist to cover its stomach. Both of the being's arms are raised. One of its hands has sharp, yellow claws, and the other is holding a long, thin, and curved blade. One of the being's legs is bent underneath it, and rests on the head and shoulders of a horse-like animal. The other leg is stretched downwards toward the ground. The horse-like animal is light brown, with a long face, and a black mane and tail. Both the being and animal are suspended near the top of the page, as though floating. The painting's background is light green and orange, and a black rectangular border surrounds the image. There is a rounded, unpainted section behind the being's head and shoulders.

A watercolour painting which depicts a spiritual being with four arms and an animal-like head. The being has a black head and green body. It is wearing a blue skirt that ends just below the knee. The bottom of the skirt has a border made up of red, blue, yellow, and green horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waistband, which is decorated with a repeating circular pattern. A red, striped sash is draped diagonally across the being's chest. Additional adornments wrap around its chest and neck, and decorative bands encircle its biceps, wrists, and legs. The being's head is elongated, and facing to the left. It has two eyes stacked vertically above an open mouth. Its lower jaw is filled with sharp teeth. The being has a pointed, red ear on the side of its head, and three white bumps on top. A long black tail extends behind the head and across its shoulder. One of the being's arms is holding an elephant head by the trunk. The other arms are holding a round, red and green object, a small, thin blade, and a slightly larger curved blade. There is an animal standing behind the being. The animal is green, with a large, round body, a long face, hooves, and whiskers. The painting's background is bright yellow, and a rectangular black border surrounds the image. There is a unpainted section behind the being's head and shoulders.

String of 26 blue handmade clay beads on a knotted string. One end of the string has a loop.

Small brass kohl container. Round petal-like opening at the top which narrows at the neck to a small opening. The outer surface has a series of bands in the metal that expand to the widest point near the centre. The widest part appears to be where the upper and lower sections were joined, and have a rounded petal-like edge protruding all the way around. The piece then narrows again at the stem, then widens to a round base.

Rectangular rug with six Yei figures woven across surface; done in red, gold, light green, brown-black, and white. Figures are wearing long-sleeved shirts, pants, tall boots, feathered headbands, pendants, and arm bands with long fringe(?). Bottom edges of shirts are decorated with bands of diamonds, stripes, and zigzags; additional diamond on right side of shirt, near waist. In between the feathered headbands and boots of the figures are pairs of rectangles; five pairs along top and bottom edges. Background of rug is cream, black border along all edges; left and right sides trimmed with orange. Cream and orange tassels extend from all corners of rug.

Bronze sitting couple. A man and woman sit side by side on a bench. Both figures have long, oblong heads. The male wears a small hat on top of his head, and has a flat beard that extends out from his chin. The man rests his right hand and on the woman's right shoulder, and the remaining hands are all rested on their knees. The woman is bare breasted and has her hair back or wears a headdress.

A watercolour painting which depicts a spiritual being seated on a horned, four-legged animal. The being's skin is white, and it is wearing a brown skirt that ends just below the knee and curls outward at the hip. The bottom of the skirt has a border made up of white, yellow, and brown horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the skirt's waistband, which is decorated with a repeating circular pattern. A blue, dotted sash is draped diagonally across the being's chest. Additional adornments are wrapped around its chest and neck, and decorative bands encircle its biceps, wrists, and ankles. The being has narrow eyes, a small mouth, and stretched earlobes which extend to its chin. Decorations extend from the bottom of its nose. The being's arms are raised by its sides, and one of them is holding an object with a long, thin handle and a rounded, tapered end comprised of multiple strands that hang down to the being's wrist. One of the being's legs is bent underneath it, and rests on the head and back of a four-legged animal. The animal is light orange, with a humped back, short, pointed horns, and long face, legs, and tail. One of its back legs is lifted and bent. The painting's background is bright yellow, and a rectangular black border surrounds the image. Orange and white rings radiate from behind the being's head and shoulders.

Drumstick with a cane body set into a wood handle, topped with a black metal ferrule. Cane body curves twice, in middle and near top; top curve ends in a curl. Body has a hook-like appearance. Handle is an irregularly shaped cylinder with a flattened front; tapers into an oval-shaped base. Bands of raised vertical rectangles carved along length; plain rings throughout. Bottom section of cylinder, that tapers, is decorated with incised vertical lines. Triangular channel carved into front of handle, near bottom edge.