Stonecut print of two kayaking men. The men have dark hair and are wearing hooded parkas. Both are using double-bladed paddles and have three black bundles on the back of their kayaks. A man-like monster is swimming under the water, on the left side of the print, and pointing up at one of the kayakers. He has long hair and is wearing a long-sleeved shirt, pants and tall boots. On the shoreline, a woman is depicted exiting a light yellow-brown tent. She is wearing a hooded, long-tailed parka and tall boots; she is holding a pouch(?). In front of her tent is a fire pit with a pot over it; jagged clouds of black smoke(?) surround it. A large bird is flying along the right side of the print. Water is dark brown-black with white dashes throughout; shoreline is dark red-purple with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Stonecut print of four people dragging three seals into a tent. Figures are all wearing hooded parkas, trimmed with fur, and tall boots. Figure in front centre is bent over and holding a rope, attached to a seal, and figure on left is holding an ulu knife. Tent consists of dark yellow and black sealskins stitched together; circle of black rocks around base. Two lines extend from either side of tent, supported by central poles of tent and separate ones staked into ground outside. Dark red skins are hung over the lines and poles; harpoons lean against the side of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in bottom right corner.

Seven-stringed lyre with a wooden sound chamber covered in leather skin; skin secured with nails. Triangular wood frame extends from top of sound chamber, made up of two vertical rods inserted through the leather and connected at the top by a third horizontal rod. Third rod has raised decorations on the sides and a cone-shaped protrusion on the left edge. Seven bands of braided plant fibre are tied across the horizontal rod. Oval-shaped hole towards bottom of skin cover; seven strings inserted through it and are wound around horizontal rod, overtop the braided bands. Strings are stretched over a small rectangular soundboard, adhered to centre of leather cover. Two-tiered circular decoration on back centre of sound chamber. All components of lyre are darkened to dark brown; strings are black.

Basketry container with lid, encased in a leather holder. Container has a circular mouth that flares into a rounded body; raised braided seam around middle. Body tapers into a small flat base, with a concave centre. The lid has an inner ridge, that fits into the container body, and a raised knob on the top centre. Bottom edge of lid has braided decorations; sides of knob are covered in cowrie shells. The holder consists of three vertical straps secured together with three horizontal straps along the bottom, centre and top of the container. Front and back strap are separate pieces; left and right side made up of one long strap that extends overtop of the container, imitating a handle. Additional leather ties are looped throughout the holder. Motifs are incised and darkened across all straps. Left, right and back straps have alternating stripes and "X" shapes; front band has wide diagonal lines throughout.

Stonecut print of a camp. Scene consists of four igloos with eight figures and two dogs. There are three igloos in the background and one in the foreground; back igloos are in a row, front igloo in centre. The igloo on the left side of the print has walls extending outward and connecting it to the igloo in the foreground. All of the figures are wearing hooded parkas, mittens and tall boots. Four figures are in the background, on top of and behind the igloos, holding tools. One figure is sitting, hunched over, in the entrance to the igloo on the left. Another figure is on their knees, holding a fish, in the entrance to the igloo in the foreground. In between the two sitting figures is a dog. On the right side of the print a woman is standing, with a baby strapped to her back, and holding a pole with three fish speared on it. The second dog is standing on its hind legs, next to the woman, attempting to eat the fish. There is a sled in the upper right corner of the print, behind an igloo; hunting equipment in the bottom left corner. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in upper right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Stonecut print of two geese and a nest. One goose, done in black, is standing overtop the nest; second goose, done in dark brown, has its back turned to the first and its head bent to the ground. Both have their wings spread. The nest has three eggs in it and is done in green and yellow; ground done in same colours, with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Carved tupilaq (tupilak). Hunched human-like figure has pointed head with partially closed, circular eyes and black inlay pupils. Curved incised lines over eyes, imitating eyebrows. Nose done in relief with deep flaring nostrils. Figure has wide open mouth, full of square teeth. Chin juts out. Long arms and bent legs form base. Vertical lines incised along hand edges, imitating fingers. Head and chest are hollow. Label adhered to lower back.

Tamer's headdress. Cedar bark headdress in the form of a rounded beak: two semi-circular flaps at front representing a beak with two long oval shapes that sit on top of beak, a hooked nose that projects out over the beak. Bunched cedar strips are attached at the top of the headdress frame with thick white string, and white string is wrapped around the base of the frame at the back. (Photos show mask without the nose piece; nose repaired in 2021.)

A rectangular sketchbook folder with most of its pages torn out--two pages remain inside. Sinhalese script has been written in blue pen in the top right corner of the cover. The folder is bound at the spine with thin, cotton thread, which is woven through the cover and inner pages to hold them together. The first page is a sample sheet with information about the sketchbook and manufacturer. The second page is also a sample sheet, with text on the back side. The cover is blue, and reads 'The Waverly Artistic School Drawing Book' in the bottom centre of the page. Above this, inside of a solid black oval, is a left-facing portrait style bust of Mars wearing a toga and a Roman helmet. Sitting on top of his helmet is a small, winged dragon with its mouth open and tongue out. Extending from the bust is a broad, floral border which continues along the top and sides of the cover in a rectangular arch. Thin, horizontal stripes fill in the space between the flowers and leaves. Surrounding the floral pattern, bust, and title is a second border, consisting of three thin, parallel lines.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.