Mouth organ (sompoton) made of bamboo pipes inserted into a dried gourd, sealed together with bees wax. Pipes are bundled together, with plant fibre ties, in two rows of four. Pipes in top row are all the same height, length of bottom pipes vary. Small holes along sides of pipes on outer edges. Gourd mouth piece has a circular body and long, thin neck that extends to the side.

Striped sash with heavy embroidery. Stripes alternate between pale pink and dark pink, with threads extending into adjoining sections, giving stripes flowing appearance. Embroidery is along the bottom edge and upper two thirds of the sash, with a wide section of plain stripes in between. Embroidery consists of triangular sections- with backgrounds of gold, white, pale pink and dark pink- filled with floral and geometric motifs. Geometric motifs are of concentric diamonds, hexagons, diagonal and horizontal lines. All are done in white. Reeds and flowers, done in gold thread, throughout dark and pale pink sections. Pale pink, blue, purple and white flowers, with yellow, white and green leaves, embroidered overtop gold triangular sections. Silver highlights throughout the flowers. Top edge of sash is bordered with gold and dark pink zigzag motif, bottom edge bordered with gold and pale pink zigzag motif. Back of sash is pale pink and undecorated. Length edges are finished seams, width edges are folded. Characters, embroidered in gold, inside fold along top edge.

Woven cedar bark screen with painted design in a horizontal orientation. Image is of two identical thunderbirds, bodies facing front and heads facing each other. Thunderbirds are outlined in black with formline designs throughout interior. Designs done in black with green and red-orange highlights. Each thunderbird has a curved horn on the back of their head and semi-circular shaped protrusion on top of their head. Thunderbirds have downward pointing wings and legs widely spread outward. Wings and tails have three feathers each and they are filled with dots. Wings have blue-grey dots, tail feathers have green. Main bodies are filled with red-orange dots, surrounding central designs, and head filled with blue-grey dots. Borders around all edges of screen are made of dyed(?) dark green-black strips of bark. The screen is edged with wide strips of bark.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.

Illuminated Qur’an with script written in black ink. Covers made of brown leather, with incised and painted decorations. Spine made of painted cloth. Front cover has a raised, inner border, outlined in black paint on the outer edge and a wide band of gold leaf along the inner edge. Alternating incised lines and dots along the raised portion. Lines done in black, circles in gold. In the centre of the cover is a raised oval, with pointed ends, outlined in gold and black. Black curvilinear motifs across surface of oval, with impressed dots on each side. Dots are filled with gold leaf. Back cover has a raised, inner border, outlined in black and gold on either side. Covers lined with paper. Each page of the Qur’an has lines of script, with floral motifs throughout sentences, bordered by simple black and gold lines. The first two pages are highly decorated. Motifs are done in gold and blue, with pink, red, white and orange highlights throughout. Designs include curvilinear lines, feathers, flowers and arrows. Gold, red and blue decorative bands, with floral motifs, divide sections of text. Some pages have curvilinear designs along the edges. Designs are done in gold, blue and red, and filled with floral motifs. Pencil inscription on last page.

Illuminated Qur’an with naksh script written in black ink. Covers and spine made of brown-red leather, with identical floral, geometric and curvilinear motifs stamped both covers. Spine is undecorated. Edges of covers trimmed with two lines, circles in the corners. Raised, inner border, covered in motifs, surround a long oval. Circles in corners of raised portion. Ovals are filled with floral designs and bordered with curvilinear lines. Two bands, made of three plain lines and circles, extend from the top and bottom points of the ovals. They meet with the inner, raised borders. Flap closure attached to back cover, with matching designs along the surface. Spine of flap has stamped circles and lines. Flap and covers lined with white paper. Each page of the Qur’an has lines of script, with gold leaf and red paint highlights throughout, bordered by simple red and dark brown lines. The first and last page are highly decorated. Motifs on first page done in gold and blue, with dark purple, dark green, yellow and white highlights throughout. Designs include curvilinear lines, geometric forms, star-like shapes and flowers. Motifs on last page are done in gold, dark purple and blue. Designs are circular and curvilinear, text is written in red. Some pages of the Qur’an have characters written in red and black along the edges. Pages are numbered in pencil, in the bottom corners.

Carved wooden figure depicting a standing woman. She is forward facing, with a flat body, thin arms and rounded legs. Her feet are circular and have incised lines along the front edges, imitating toes. She has a wide neck and long, oval-shaped face. Her eyebrows are pronounced and she has a thin nose, and straight mouth. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend upward, into a large bun, protruding from the top of her head. Her long, oval-shaped ears are along the back sides of her head. Holes are drilled into the lobes. On her front, her breasts are carved in low relief. Her right arm is bent, with her hand resting below her left breast. Her left arm is parallel to her body, with her hand resting over her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief.

Carved wooden figure depicting a standing woman. Her head is shown in profile and is facing down. She has a long, oval-shaped face with pronounced eyebrows and lips, and a long, wide nose. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend into two buns, protruding from the back of her head. The figure’s body is flat and curves towards the left. Legs have a curved front and flat back. Feet are circular and have incised lines along the front edges, imitating toes. Her right arm is bent with her hand resting on her stomach. Her left arm is parallel to her body, with her hand resting near her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief. She has a white string knotted around her neck. Inscription on the centre of her back, reading "Soquel 1909."

Goat hide baby carrier decorated with cowrie shells and trade beads. Carrier is rectangular with long, looped straps attached to the top corners, and shorter strands of hide extending from the bottom corners. Thin strip of hide tied through top straps, at ends. Exterior surface of strip is coloured red; front of hide carrier is red-brown, back is naturally coloured. Straps are covered in rows of alternating cowrie shells and dark blue glass beads. Fringe extends from the bottom edges of the straps, hanging overtop of the carrier body. Fringe is covered in white and dark blue beads. Upper half of carrier has a design of two square outlines. Borders made of rows of alternating cowrie shells and blue beads. Each square has a floral design in the upper corner, made of shells and beads. Hide tab underneath square motifs, with bead covered fringe along its bottom edge. Small cross, made of cowrie shells and beads, along bottom centre of carrier. Interior of carrier is undecorated.