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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

The single eagle figure is presented in primarily black form line with red secondary features against a light brown background providing negative space in the design. The head of the eagle is in profile and facing to the right side. Has a black ovoid eye, a black beak with red u forms and red lips with red u forms behine. The wings hang down on each side of the figure. Each wing has a black ovoid and red u forms across the top with red and black s-shapes, u forms, split u's, and t-shapes below. The middle section is in the form of a human face that has black ovoid eyes with black brows above, a black nose, red cheks, and a red mouth. The legs are at either sides bent at the knees with three-digit claws that vace a circle at the centre. A cross surmounts the tail feathers. There are six tail feathers with the four innermost having red u forms surrounded by a black one and the two outermost feathers, one at each side, being just plain black. Pencil insciption across the botton reads '53/150 3/6/76 EAGLE (LARHSGEER) ISAIAH 40:31Roy Henry Vickers TSIMSHIAN TRIBE KITKATLA B.C.'. The print in on a horizontally rectangular, brown paper piece.

History Of Use

This silkscreen print is an example of the application of aspects of traditional two-dimensional Northwest Coast design to contemporary graphic arts.

Iconographic Meaning

As a traditional crest figure the eagle symbolizes strength and prestige. The artist has incorporated biblical symbolism from Isaiah 40:13 with reference to the eagle. The four way split above the tail is a Christian cross.

Cultural Context

contemporary art

Narrative

The eagle is a crest animal of the artist's family.

Item History

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