Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.


Green skirt of open weave. The skirt is made of two panels of green nylon fabric woven with roundels enclosing a floral motif and stylized character. The skirt is open at the back and lined with white nylon mesh. The panels are pleated and inserted into a green band. The green nylon band is woven with small roundels enclosing stylized characters and lined with white cotton gauze. The pleats carry through to the edge of the band on the left side, but not the right. The upper edge of the band is straight, but the white cotton gauze lining projects above it in slight scallops. Attached to the scalloped points are two shoulder straps of white cotton gauze. At both ends of the band are sewn narrow ties of white cotton gauze, roughly machine stitched with white thread.

History Of Use

The straps attached to the skirt band, which often was scalloped with the straps attached to the points of the scallops, were innovations introduced after the opening of Korea to the outside world in the late 19th century, replacing the simple waistband with long ties of the traditional “Chi-ma”. The new style was considered to be more modest, as it covered the breasts, and more comfortable. . Sets of “Chi-ma” and “Jo-go-ri” made of inexpensive synthetic fabrics in two colours and with very rounded sleeves were worn at this time by secondary school students and middle aged married women for occasions such as group dancing and village festivals. Other women would wear “Jo-go-ri” made of multiple colours. The Korean textile industry had developed to the point that it could produce such fabrics by this time. The skirt band was made of fabric of the same colour because it could be seen under the short jacket “Jo-go-ri”. In the Chosun Dynasty, a white skirt band and ties were considered to be beautiful, but this was no longer the case. By the late 1960s, Korean people generally wore simple clothing so that they could work more efficiently. During the 18 years that Park, Chong-hee was president, the transformation of South Korea from an agricultural country to an industrial one was accomplished, and people were urged to work hard. In compensation, people wore elaborate clothing on special occasions. Clothing of this kind was made in markets, and the relatively rough finishing, with the outer fabric folded under to hide the cheaper lining, is typical of that work.

Specific Techniques

The skirt is sewn with machine stitching.


According to the donor, she purchased this set of clothing in a market in Seoul in 1970.

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items