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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

A hanging scroll painting of five main vertical lines of Chinese characters written in lacquer script in black ink on silk with two smaller vertical lines on the side, which includes the artist signature and his age. One red seal is on the top corner while two red seals are at the opposite bottom corner. The calligraphy has a cream-coloured border of patterned fabric. There is a semi-cylindrical rod at the top with a beige cord bound by metal wire and cream-coloured fabric with a brown cloth ribbon. There is a cylindrical rod weight at the bottom covered with blue, red, and yellow patterned fabric.

History Of Use

A hanging scroll painting by Jin Nong 金農 (1687-1763). This calligraphy is done in the lacquer script that derived from early medieval Chinese stele inscriptions, which Jin Nong developed. This radical and individualistic style, notable for its angular brush strokes, marks an important development in the history of Chinese calligraphy. This piece was written after a conversation between Jin Nong and his student Luo Ping (羅聘), another of the Eight Eccentrics of Yangzhou (揚州八怪)—a group of artists active in Yangzhou during the Qianlong era (1735-96) of the Qing dynasty.

Iconographic Meaning

The text laments the decline of Yangzhou as represented by the fate of a tea house there and a faded painting on its walls.

Narrative

Purchased from a dealer in Macao by Dr. Ping-ti Ho of the UBC Asian Studies Dept., in 1961.

Item History

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