Painted ceramic figure of a woman. Atop her head there is a red basket with 6 pieces of round fruit painted in various bright colours. Her left hand is upraised to support the fruit. In the crook of her right arm is another basket, with a handle, containing purple fruit with green stems. The woman has black curly hair that falls down her back in two braids. Between the braids, there is a slit into which coins can be inserted. The woman’s face has been unevenly painted with two different skin tones. She has rosy pink cheeks. The woman wears gold earrings and a gold necklace and wears a white short-sleeved blouse with red and green embroidery around the neck and the sleeves. Overtop of the blouse, there is a sleeveless v-neck poncho with an asymmetrical hem with a fringe around the edge. The top half of the poncho has a pattern with red, yellow, blue and brown stripes and black dots. The lower portion of the poncho has a pattern with blue, black, red and brown cross-hatching over a yellow background. Her skirt is wide, yellow and A-line. Along the bottom edge of the skirt there is a green, blue, pink and red design with flowers. The woman’s small feet are visible beneath her skirt, wearing blue shoes with yellow dots. She stands on a green base. The bottom of the figure is indented; the edge is painted orange. There is a small hole in the bottom.

Painted ceramic figure of a woman. Atop the woman’s head is a brown basket with 6 pieces of fruit painted in various bright colours. The woman supports the basket with her upraised left arm, and in the crook of her right arm holds a yellow basket with a handle, containing orange-red fruit with green tops. The woman has curly black hair which falls down her back in two black braids. Between the braids is a slit in which to place coins. She wears gold earrings and a gold necklace. Also, she is wearing a light green short-sleeved blouse with dark green and red embroidery around the neck and sleeves. Over top of the blouse, there is a short-sleeved poncho. The poncho is sleeveless, has a v-neck and an asymmetrical hem with fringe along the edge. It has a red background with an orange and yellow design and drapes over her voluminous dark green skirt. Along the bottom edge of the skirt, there is a pattern in yellow, blue and red. Underneath the skirt, her small red shoes are visible with yellow dots on them. She stands on a green base. The bottom of the figure is indented and unpainted. It has a small hole in the centre.

Small portable altar containing a figure of Saint Anthony holding baby Jesus. The altar itself is a small box painted blue on the left and right sides and the floor of the altar. On the right side of the altar, the wall is affixed using two pieces of leather each with four nails in them. At the front of the altar, there is an arched opening revealing the two figures inside. Above the arch, the front wall extends into a triangular roofline. It is painted yellow with dark green, dark blue and brown detailing. On either side the doorway is flanked by flat columns that are topped by triangles. Thus the roofline has three peaks. The columns are painted yellow-white with red, pink, dark green and dark blue detailing. The interior walls of the altar are also painted yellow-white. Saint Anthony is standing upon a ceramic plinth that is painted white, blue and red. The plinth resembles a mushroom in shape. The figures of Saint Anthony and baby Jesus appear to be made out of plastic. In addition to the plinth, Saint Anthony stands upon a small piece of blue ground. He wears brown sandals and a brown robe. He has short, light brown hair and rosy cheeks. Baby Jesus is swathed in a white blanket that has a cluster of brown spots near the upper right side. Baby Jesus has black eyes, rosy cheeks and red lips. On the top side of the object, near the back, there is a metal eye hook for hanging the object. The back of the object is yellow white and has the artist’s name written on it in blue pen. There is also a number written in red pen.

Portable altar containing three dimensional figures of Saint Isidore the Laborer and two yoked bulls. The top and side walls of the altar are painted blue. There is an arched opening in the façade of the altar. It has a yellow border. There is a sheet of glass in the opening so that the figures inside are protected. On either side of the archway, there are blue pilasters with gold capitals. There is also a dark blue archivolt lining the archway. The roof above the arch is triangular. It is painted pink with gold accents. There is a flower-shaped finial at the apex of the arch; it is pink with blue leaves. On either side of the central triangle, there are two smaller triangles completing the roofline. They have the same finials as the central triangle. The wall below the finials is painted yellow-white with pink accents. Where the left and right sides of the front of the object border the pilasters, they are painted green with red stripes. Inside the altar, the figure of Saint Isidore stands atop a cube plinth that is painted yellow-white with blue designs over top. Saint Isidore wears black boots, a green robe with gold trim and has a brown beard and long hair. He holds a red book with black text on the cover. Left of Saint Isidore, there are two small bulls painted yellow-white with black spots and red tongues. There is a gold yoke between them. The bulls stand atop a low, square plinth of unpainted wood. The artist’s name is written on the back of the object in blue pen. Also, a location is written in pencil and a number is written in red pen.

Portable altar containing a three-dimensional figure of Saint James. The exterior walls, back of the roof and base of the altar are painted blue. The front of the altar has an elaborate façade. In the centre of the façade, there is an archway that reveals the figure inside. The top of the arch has a scalloped edge. The dome is painted yellow with red and blue detailing. At the top of the dome, there is a pink flower with gold accents and green leaves. On either side of the archway, there is a narrow vertical wall with a column embedded in it. The shaft of the column curves inwards at its centre. It is painted yellow-white with black curved lines over top. Behind the columns, the walls are green. Above the columns, the walls are painted yellow-white. Directly above the square capitals, there are red designs painted over top the yellow-white background. The interior walls and ceiling of the altar have a pink diamond pattern painted over a yellow-white background. In the middle of each diamond, there is a yellow dot. The figure of Saint James stands atop a plinth formed by three-stacked shapes. He wears black sandals, a yellow robe, a dark blue cape and a white hat. He has a brown beard, mustache and hair. In his left hand he holds a silver-coloured sword; his right holds a staff with a black handle and two gold balls hanging from it. The back of the altar is painted yellow-white. The artist’s name, location and some numbers are written in pencil on the back. There are also two stickers with numbers and words.

Portable altar containing a three dimensional figure of the Virgin del Cisne (town in Ecuador) holding a baby. The top and side walls of the altar are painted blue. The front of the altar has an elaborate façade. There is an arched opening in the middle of the façade that reveals the figures inside. A pane of glass encloses the figures inside the altar. The innermost part of the arch is painted yellow. Slightly outwards, there is a raised gold border that follows the line of the arch. On either side of the arch, there are blue pilasters with gold borders and gold capitals. Above the arch, the wall ascends into a curved roofline that looks like a flattened onion dome; it is painted green with red and blue accents. At the top of the dome, there is a flower-shaped finial. The flower is pink with blue flowers and gold accents. The walls on either side of the central dome ascend into triangles. They also have pink and blue finials at their apexes. The upper portion of each of the walls is painted yellow-white with red and blue detailing. Where the side walls border the pilasters, they are painted yellow with a red and blue scalloped detail along the outer edges. Inside the altar, the side and top walls are painted yellow-white with pink details. The figure of the Virgin stands upon a two-part plinth. The lower part is cylindrical and is painted yellow-white with green splotches. Atop the lower portion, there is a small blue mound. The Virgin is barefoot. She wears a gold crown, a long red jacket and a yellow-white dress with gold embroidery. In her left hand she holds a gold staff and in her right hand she holds baby Jesus. The child wears a yellow robe with gold trim. The skin of both figures is pink. The back of the object is unpainted. There is a piece of paper affixed to the back of the object with paint. On it, the subject of the altar is written in blue pen. There is also a piece of tape with a number written on it in blue pen.

The shawl has been woven with an abstract design in black and yellow-white cotton yarn. There is a broad black band on either end of the shawl, and within these bands are vertical rows of stylized bird figures (twenty-six in each band). Both ends have been finished in a fringe of fine knotting, and there are outlines of images arranged horizontally within this knotting. These horizontal rows of images consist of: four leaf designs, three duck figures, and four leaf designs. One side of the shawl is noticeably faded, and there are traces of blue/indigo dye in some of the yellow-white woven areas.

Scene of the Christian nativity set on a circular platform with brown painted detailing over white clay and coated with a green glaze. Animals and figures surround a baby in a cradle, beneath an arched architectural feature.

Toy or model clay stove (a) with a large cooking pot (b), small cooking pot (c) and jug (d). Orange clay is decorated with splashes of white paint; two pots have green glaze around their rims, the third has a band of brown paint. Stove has three circular opening at top and an arched opening in front at base.

Small grouping in woven straw-like fibres on flat covered cardboard base of a couple plowing with oxen. Female figure with pink hat, long braided hair, green blouse, blue skirt and pink basket, leads two pink and purple oxen harnessed to a single hand plow. The male figure, also in pink and purple, guides the plow with one hand and holds a whip in the other.