Low-fired pottery with painted accents depicting Adam and Eve and the devil. Adam, on the left side of the object, is the tallest figure represented. He has a large head and a wide neck. His hair, which hangs down his back, and his pupils are painted red-brown. His mouth is agape and he holds his hands upwards as if in shock. His fingers, nipples and a loin cloth around his waist are painted red-brown. Eve is on the right side of the object; she has a wide head and neck. Her hair, pupils, and skirt are painted red-brown. She does not wear a shirt and her belly button is visible. In her left hand she holds an apple up to her mouth; the apple is painted red-brown. The devil is between the two figures. He has horns atop his head and a hunched back and is sitting in the top of an apple tree with many pieces of fruit. The devil and the tree are primarily painted red-brown. The figures stand on top of a rounded mound. The bottom of the object is slightly indented.

Low-fired pottery depicting the murder of Pizarro, a Spanish Conquistador. His murderer, on the left side of the object, wears a flat-brimmed hat with feather on the back side. The details of the hat are painted red-brown. His eyebrows are angled downward giving him an angry countenance. He has a red-brown mustache. The murderer wears a cape to the floor; it has a raised portion on the left side. He holds a blade in his left hand which is on the front side of the object. This arm has a very large bicep and red-brown detailing. The murderer’s right arm rests on a stool between his body and that of Pizarro. His right arm has incised detailing suggesting that he wears a puffed sleeve. Pizarro is in a seated position with his upper body leaning far back. His legs are closest to the body of his murderer and are angled outwards around the stool. He wears red brown boots and short pants with incised detailing. His jacket, which also has incised detailing, is open. There is red brown blood on his chest. Pizarro’s arms are spread outwards. There are epaulets on his shoulders. His arm at the back of the object has lost its hand. The hand grasps a weapon with two prongs on either side. Pizarro has a full beard that is shown with incised detailing and red brown paint. His cap has pointed details on top and on the front of it. It also has ear flaps. The chair that Pizarro sits on is very low to the ground; it does not have legs. The two men are standing on a thin rectangular base with a bevelled edge.

Low-fired ceramic depicting Joseph and Mary’s flight to Egypt with baby Jesus. Mary is facing front, while Joseph stands with his back to the viewer on the left. He is petting the donkey on which his wife and child sit. Joseph wears a toque-like hat. Details on the hat and his eyes, mustache and beard are painted dark brown. In his right hand, Joseph holds a piece of dark brown fruit. His other hand touches the nose of the donkey. The neckline and arm bands of his shirt are painted dark brown. There is a harness around the donkey’s head. The animal has brown eyes and brown detailing on its body. Mary sits on the donkey’s back holding her baby. They are sitting on a saddle which is affixed to the donkey by a strap underneath its tail. She wears an elaborate hat on her head. The hat has lost a piece on top of it as indicated by two points of breakage; it may have been a handle. She has a jug strapped to her back. The back of her shirt and the neckline are painted brown. She wears a skirt to her calves. Her shoes are dark brown. The baby wears a hat similar to his father’s. The details on his shirt are painted dark brown. All of the figures are attached to a thin, oblong base.

Ceramic candlestick with nativity scene in the base and three candle holders, covered with many different colours of wax. The central holder is open at the base so that wax has dripped onto the nativity scene below. In front of each candleholder is a red rosette in relief and a red band winds around the circumference of each candleholder. They are connected by two sets of horizontal arms painted yellow-white with brown detailing. The arms below are curved, creating a rounded hollow between each set of arms. The curve at the end of these arms suggests the form of hands. There is a cross-hatched pattern in pink-grey over a background of yellow-white painted on the front of the curved arms. In the centre is a motif of red and blue bisecting vertical, horizontal and diagonal lines. The 'hip' of the candlestick is opened to create a semicircular cavity, framed by a blue and yellow-white scalloped design around the upper portion. The bottom of the opening is framed with red cross-hatching and inside is a nativity scene. The virgin Mary wears a pink-grey dress and a brown cape with yellow-white trim and holds her palms together in prayer. Joseph has a beard, a red shirt, brown pants and a yellow-white cape and his hands are positioned upward. The child is painted pink and reclines on the floor between them. Also on the floor is small lamb painted yellow-white with brown and red detailing. Extending from the bottom of the object there are yellow-white oval shapes, with faded red detailing on the left and right sides.

Clay vessel or jug in the shape of a musician playing a horn-like musical instrument. Small round opening at the top of the hat is a spout for pouring chicha. Figure's cream trousers, shirt and hat, brown shoes, jacket and eyes have been painted over a light brown clay.

Clay vessel in the shape of a cow. Brown clay body is painted cream with large patches of red and a raised round spout with pale green rim protrudes up from the back.

Small, cylindrical brown clay crucifix. The figure of Christ has painted body details and a cloth around his hips in cream, red and dark brown. Figure has holes in hands and feet.

Clay vessel or jug in the shape of a musician playing a horn-like musical instrument. Small round opening at the top of hat is a spout for pouring chicha. Figure's cream trousers, shirt and hat, reddish brown shoes, jacket, anddark brown eyes have been painted over the light brown clay.

Clay vessel or jug in the shape of a musician holding something over his left shoulder. Very small round opening at the top of hat is a spout for pouring chicha. Cream trousers, shirt, buttons, body parts, and brown shoes, jacket, hat and eyes have been painted over the light brown clay.

Round, shallow, ceremonial dish made of light brown clay has a plain exterior surface and a reddish brown interior covered with cream coloured vegetal motifs. Numerous small clay figures (llamas, sheep, donkey, two people) are arranged head to tail around the wide flat lip and a deer stands in the centre of the dish.