Daoist album leaf. Gold painted Chinese calligraphy in six columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of the lasting image of the perfected transcendent.

Daoist album leaf. Painting depicting Xu Xun and his sense of equity deterring him from wrongful gain. A male figure in yellow and gold robes with a blue border stands pointing at an object with three legs. Standing with him is a man in blue robes, and two young men. They are standing on a grassy hill with a tree as well as blue and green rocky outcroppings. The background is composed of off-white and dark pink clouds, blue sky, and blue, green and grey mountains. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun selecting a scenic site for nestling perfection. Two men and two young men are standing together to one side of the painting with another man standing opposite, arms raised, outside a building on green grass with trees as well as blue and green rocky outcroppings. The background is composed of off-white and dark pink clouds, blue sky, as well as blue, green and grey mountains. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun seeking a master and taking up a study of the Way. Two male figures are seated inside a building with three young male figures standing to either side. One of the seated figures has his hands clasped, and the other is holding a piece of paper with text and has a cylindrical object beside him. The building is at the edge of a cliff with trees and green and blue rocky outcroppings. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun using a talisman to keep Lake Po[yang] in check: a figure on a cliff above rough waters is holding an oblong object with his sword stuck in the ground in front of him and a building in the background, and to the side are two other figures wading in water holding a long rectangular object with geometirc markings while a figure in blue robes points a sword towards the water and another figure in pink with a sword on his back stands beside him. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and eight ropes binding the veins. A seated figure is flanked by two groups of warriors holding swords, there are several figures pulling on chain-like ropes attached to the base of a tall object with a rounded tip set inside a rectangular base, and six figures in pairs transporting lengths of chain-like rope on sticks with the roofs of three houses in the foreground and pink and off-white clouds set against a grey sky in the background. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Gold painted Chinese calligraphy in 20 columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Gold painted Chinese calligraphy in 20 columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the aberrants turning into bottle-gourds. Three warriors are depicted running through water with swords, and several male figures, the most prominent in green and gold robes with a black border, watching them from under a tree on a hill. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting the episodic vestiges of the disciples of the Perfected Lord, ex post facto. Six male figures are depicted, each with two faint Chinese characters to the left of their head. From left to right the figures are: a man in light blue-green robes with a blue border and a small light blue-green head ornament; a man in blue and gold robes with a black border and a black headdress; a man in light pink robes with a blue border and a small brown head ornament; a man in light yellow robes with a black border; a small light yellow hair ornament, and a mace(?) with white hair attached to the top; and a man in green and gold robes with a blue border standing in profile. There is a red seal in the bottom left-hand corner. The painting is mounted on off-white damask-patterned silk on paper.