Daoist album leaf. Painting depicting the episodic vestiges of the disciples of the Perfected Lord, ex post facto. Six male figures are depicted, each with two faint Chinese characters to the left of their head. From left to right the figures are: a man in light blue robes with a blue and yellow border wearing a small headdress and holding a fan(?) in his left hand; a male figure with light purple robes and a small yellow hat; a male figure with green and gold robes that have a blue border and a black headdress; a man wearing yellow robes with a blue border and a dark grey hat; and a man wearing red and gold robes with a blue border and a small white head ornament. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and lasting affection reaching the people at large. Two men are standing in front of an image depicting a man in red and gold robes with a blue border, and there are several men outside walking away from the building with a procession of people depicted behind the glue and green mountains. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the cutting of paper that turns into an ox. A figure un blue and gold robes is standing with a pair of scissors in his hands. Emanating from the scissors is a flaring and undulating grey shape with a small black ox floating over it and a brown ox lying on the ground at the end of it. There are five figures standing behind the main figure: four male figures, one of which is holding a sword, and a young male figure holding a sheathed sword. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the crocodile fiend sneaking a glance. A male figure in green robes is gesturing towards a collection of buildings in the distance from the top of a hill. There are three male figures and a young man carrying a sheathed sword on his back to one side, and a figure with red and gold robes to the other side. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the certification of perfection by the dispatching of an illusion. A male figure in green and gold robes with a blue border is seated with one arm raised and beside him is a young man holding a sheathed sword. There is a group of six male figures standing beside the young man, and there is a group of four men standing to the other side of the seated figure as well as a group of eleven men and five women. There is a blue and green hill and a tree behind the seated figure, and there is a tree, some blue and green rocky outcrops, and what appear to be five grey logs in the foreground. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and returning to the commandery and deterring a crocodile. Three male figures, one in yellow robes, one in blue and gold robes, and one in green robes, are standing at the edge of a body of water with two young ment beside them, each holding a sheathed sword. In the water is a building with a wall extending diagonally back and fading into the mist as well as several masts or posts that extend up from the mist, some with a green or yellow triangular flag. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the washing of a sword and testing it for its sharpness. A male figure in blue and gold robes with a black border is seated on a rock near the centre of the image with two young men at his side, both holding sword sheaths. To one side is a male figure holding up a sword, and to the other side are five male figures, three watching, one holding a sword in one hand and touching the blade with his other hand, and another dipping his sword into a waterfall. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the conducting of guardian troops. Several groups of warriors are emerging from clouds and water with three figures and a snake-like figure confronting them. A figure in red robes with a a young man holding a sheathed sword and another male figure in blue robes with a drawn sword are pictured on a cloud at the top centre of the image. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the roaring of a command to the wind and thunder. A male figure in red and gold robes with a blue border is standing at the top of a hill with another male figure in green robes and has a sword stuck in the ground beside him. A group of three male figures is standing to one side, and a group of four men is kneeling to the other side. All are looking upwards at the sky where banners and swords are visible through parted clouds. There are green, blue and grey mountains depicted in the distance on either side of the hill. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the eradication of the aberrant in due time. A male figure in light purple robes is standing at the top of a cliff with a sword stuck into the ground in front of him and eight male figures standing behind him. The main figure is looking towards a mountain with a waterfall and a bird flying against a background of clouds. There are more grey and blue mountains in the distance. The painting is mounted on off-white damask-patterned silk on paper.