Model totem pole with two figures: bear at bottom, thunderbird at top. Thunderbird has large, outstretched wings (parts b-c), each screwed into the back of the pole. Painted black, green, orange, brown, yellow and white.

Arch shaped stone slab sculpture with a buddha figure seated on a lotus pedestal supported by a central alms bowl, flanked by two lions. Two small temples adorn the arched-shaped mandorla behind the central figure who has his left hand in his lap and his right hand pointed downward. An obscured tree branch is over the figure's head.

Arch shaped stone sculpture surmounted by Buddha figure and two flanking birds. The arch is carved with symmetrically arranged zigzag motif. Inside the arch are deeply cut figures of Buddha with his right arm raised and two flanking disciples. Above them is another smaller arch echoing the larger one. On top of this are two crouching figures flanking a central alms bowl on a pedestal.

Deeply cut arch-shaped free standing sculpture of a 4 armed standing figure with 3 attendants. Vishnu is in a stiff frontal pose holding a lotus, mace, conch and discus; he wears a crown and is adorned with jewels and a long garland. Flanking him are 2 small females, together they stand on a pedestal which is in a lotus motif and are enclosed in a flame edged halo. At the base, a small male figure is seated on the left with his hands folded.

Four lobed form with a hammered background. Nakago ana adjusted with chiseling and metal insert; open kodzuka and kogai. Front: man with copper hands and feet, gold belt, sits at right holding a copper fishing pole; his head is turned over his shoulder to a tree growing up the right side, branches spread over the top . Back: one tree branch incised at the bottom.

Oval-shaped sword guard with dark brown patina, four-lobed edge and raised rim. Triangular hole at centre with a three-lobed hole to one side, and an ovoid hole to the other side. One face has a low relief design of a prunus tree with blooms, and the reverse has a prunus tree with scattered bamboo leaves. Some gold overlay. The design includes an open area where the tree branches appear to pass through the hole. Nakago ana adjusted by chiselling and metal inserts; kodzuka and kogai open.

Four-lobed form with irregularly hammered background. Has an overall patina; nakago ana has chiseling and copper insert for adjustment to the blade; open kodzuka, no kogai. Front: at bottom in high relief a leopard looks upward to a bamboo in low relief growing up the right side and across the top; leaves overlaid with gold. Back: at bottom centre, several broad curved gouges and a series of dots suggest leopard's claw and pad marks; two gold and copper spots inlaid.

Rectangular metal sword guard with low relief design of prunus trunk that grows from lower to upper right on face with spreading branches and has copper highlights inlaid. The reverse has a design of one prunus branch. Nakago ana, four chiselled adjustments; open kodzuka and kogai.

Four-lobe shaped metal sword guard with raised gold rim, nanako (minute raised dots) background; seppa dai of highly polished shakudo, unsigned, shows chiseled adjustment marks; open kodzuka, no kogai. Front: pattern of chrysanthemums, cherries, and butterflies, in low relief overlaid in gold, stems in polished shakudo. Back: similar pattern.

Circular, metal sword guard with circular shape, triangular hole at centre, and ovoid holes to either side. Edge is ribbed. Low relief motifs both front and back include waves and carp at bottom, writhing dragons on either side, and a pearl above which moves freely within a flaming halo. The carp, dragons and pearl are overlaid with gold and all connected by openwork vines which are undercut. Ana, copper insert at base; seppa dai, undecipherable characters. Incised; both kogai and kodzuka openings.